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Which way? He turned a wild circle, but the fog gobbled up his light. The air was getting worse, too. He tried pulling in thin sips, but the tickle at the back of his throat became an itch, then a scratch, and then he was coughing and couldn’t stop. He felt his throat closing even as his mouth filled with spit. Something squirmed in his throat, like maybe there was an animal with furry legs and sharp claws crawling around in there.

Crazy, that’s cra—

Something ripped behind his ribs, as if the blade of a hot knife had suddenly sliced through muscle and bone. Grunting, he clutched at his chest, felt the boil of something clenching, bunching. God, there was something inside him! This was like his mother, the way she clawed at her chest.

Can’t … can’t breathe. His fingers raked his throat, scored his flesh. No air … can’t … got to get out, get out, get—

A hand slid onto his shoulder.

CASEY

This

Is

Creepy

“CASEY, IT WAS fifteen minutes a half hour ago,” Rima said.

“Tell you what,” Casey said. “You’re so worried, you go.”

“We should both go.”

“Why? So we can all get lost and freeze to death? Tony might have gone around to the other side of the van. That would block the flashlight. He could be turned around, facing the other way. We wouldn’t see the flashlight then either.”

“But he signaled us every couple of minutes before you lost him.”

“I didn’t lose him.”

“God, would you stop? I’m not blaming you. All I’m saying is there’s been nothing for a long time. We should see him coming back at least.”

This was probably true. Maybe too much glare? Casey thumbed off his flashlight, then pressed his face against the icy slab of window glass. Nothing to see. He chewed on his lower lip. Maybe they should go. “Do you remember if Tony had a rope or extension cord or, I don’t know, something we can tie off to the car?”

“He wouldn’t have anything long enough to reach the van.”

“I know that,” Casey said, impatiently. “But if we can extend our reach, get away from the car a good fifty feet or so, then one of us can keep going with the flashlight, right? The other one hangs back and yells.”

“Oh, right,” she said. “Sorry. That’s a good idea, Casey.”

He knew that. “So was there anything?”

“I don’t remember. Maybe we should check your sled?”

He should’ve thought of that. He was pretty sure he had chains and a couple bungee cords. Popping his door, he flicked on his flashlight, almost climbed out, but then remembered those stupid locks. Reaching over the front seat, he yanked the keys, pocketed them—and frowned. Ducking out of the car again, he sniffed. “You smell that?”

“Yeah.” She was looking at him across the Camry’s snow-silted roof. “That’s—”

“Gas.” He faced the direction where the van lay. “I didn’t smell it before.”

“Maybe the wind changed direction?”

“No, I—” And that’s when it hit him. “It’s stopped snowing. There’s no wind.”

Rima turned her face to the black, featureless bowl of night sky. “Can that happen? I mean, all of a sudden like that?”

How should he know? Did he look like he worked for The Weather Channel? But she’s right; this is creepy. No wind, no snow. Like someone hit a switch or turned off the spigot. If anything, the air was much colder now, and heavier somehow. “Come on,” he said, then stopped as his boot came down with a small splish. “Hey, what …”

Whatever else he would’ve said died right then and there.

Because from the darkness came a scream.

TONY

She Has to Be Here

TONY WHIRLED, THE flashlight tumbling from his hand to fly into the fog. The night came slamming down as he backpedaled, his feet slipping, his balance finally going. He went down like a rock. The impact was like wiping out on an ice rink: a solid, bone-rattling blow that drove the air from his lungs. Gasoline sheeted over his body; cold fuel slapped his face. His throat closed on a mouthful of gasoline, and then he was choking, his vision starting to speckle with black filaments. Ropy drool poured from his open mouth. His thoughts swirled in a swoon: Passing … out …

At the last possible second, the knotted muscles of his throat relaxed, and he pulled in a great, wrenching gasp. His chest throbbed; something inside there seemed to push. There was still gas in his mouth, too, and the fumes got him coughing again.

Someone out here. On the ice. With him. “Whooo?” The word rode on a breathy shriek. “Who’s … who’s th-there?”

No answer.

“C-C-Casey?”

No answer.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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