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He stood, wincing a little as his knees complained. “Everything looks weird at night. Plus, we’re in a storm, and you’re hurt.” The urge to comfort her, pull her into a hug, was very strong, and he throttled it back. “A lot’s happened, Emma. You crashed. You lost a friend. I don’t know about you, but when my day started, I sure didn’t see myself ending up here.” If anything, his day had started out even worse. As spooked and worried as he was … I actually feel better here. A crazy thought. He looked down at her face, so ghostly white and pinched with cold. I feel better here, with her, than I have with anyone anywhere else in as long as I can remember.

“Yeah, you can say that again.” Her eyes shimmered, and she looked askance. Even with that thick screen of snow, he saw her jaw clench. “I know all that,” she said, meeting his eyes again. She pulled herself straighter. “But that’s not what I mean. Look at the truck, Eric. It’s barely covered. All this snow, but it’s like it just got here.”

“Well …” He threw the Dodge an uncertain look. “Maybe it did. Those guys’ tracks are only just now filling up.”

“But Eric, we’ve been on the sled for a long time, at least an hour, don’t you think? Long enough for the tracks on the road to almost disappear. And the crash …” She swallowed. “Eric, that happened a couple hours ago, right? The sled’s odometer says we’ve come a little more than fifteen miles. But the turnoff wasn’t that far back from the van where Tony said he and Rima lost the truck.”

“A half mile, yeah.” He saw what she was driving at. Even if it also took whoever drove it here an hour, that meant these guys should’ve been here for quite a while. The truck’s tracks hadn’t deviated. The driver hadn’t stopped or turned off somewhere else along the way. The way the snow was coming down, not only should the truck’s tire tracks up this long driveway have filled in, but that Dodge ought to be nearly invisible.

So how come we still see tracks? Why isn’t there more snow on this truck? On an impulse, he tugged off a glove and put his hand on the truck’s hood.

“Is it warm?” Emma asked.

“No,” he said, taking his hand back. The metal had leeched all the feeling, and he haahed a breath and shook his hand to push the blood into his fingers to warm them. Man, that was cold. Burned like a blowtorch. “But with barely any snow on it at all, it ought to be.”

“Right. That’s what I mean by off. Sounds crazy, but … it’s almost like the storm wanted to make sure we saw the tracks, this truck.” Emma inclined her head at the Skandic. “I mean, look at the sled. It’s already filling up.”

“Yeah,” he said, taking in the thickening layer of white on the sled’s seats and foot wells. Screwing his hand back into his glove, he studied the house, a two-story with a large wraparound porch, which reared up from a field of solid white. A glider, laden with snow, hung from chains to the right of the front door. More snow pillowed in hanging baskets suspended from hooks on either side of the porch steps. The porch light illuminated the front door in a spray of thin yellow light. The door was black, hemmed by sidelights of glowing pebbled glass. To the left, a large bay window fired a warmer, buttery yellow, and further back, a feeble glow spilled through a side window. Kitchen, maybe. The second story was completely dark.

“Somebody’s home for sure,” he said, wondering why that didn’t necessarily make him feel any better. His nerves were starting to hum with anxiety, and a creep of uneasiness slithered up his neck. “Must be the guys with the truck.”

“If they live here, then why do they have Wyoming plates?”

“Maybe they’re just visiting.”

“Then where are the other cars? Or trucks? This is a farm. Where is everything? Where are all the other machines?”

“Well, they wouldn’t leave them out in the snow. Maybe they store everything,” he said, turning from the house to look at the barn, which stood off to the right, maybe a good seventy, eighty yards away. A large spotlight, with the kind of shallow metal shade that looked a little like a flying saucer, surmounted a very tall pole in the very center of a wide-open space; fence posts marched to either side. The top rungs of a large corral were visible, but no animals had been out for some time. The snow was unbroken and very deep, and that barn, huge and hulking, felt deserted: an enormous hollow shell and nothing more.

“No equipment sheds,” Emma said, coming to stand beside him. “No silos. If you’ve got animals, you usually have a silo for grain. There aren’t any water troughs in that corral that I can see, and no equipment sheds. So maybe there are tractors or something in there, but I’ll bet there aren’t. Eric, this feels like someone’s idea of a farm, like a movie set.”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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