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“What?” she asked. “You mean, Canaveral?”

“Naw,” Chad said. “They changed it. That’s the old name.”

“Say, can we come in?” Eric interrupted. “It’s really cold.”

“Ah sure, yeah, jeez.” Then Bode glanced past Eric’s shoulder. “Hey, look at that. It stopped snowing.”

“What?” Five seconds before, the blowing snow had been thick and driving. Now, no snow fell at all, not even the occasional solitary flake. Like someone turned it off. Eric stuck his hand beyond the porch railing. No snow. What—

A static burst, followed by a staccato buzz, sounded from his left-hand pocket, and he jumped. The walkie-talkie; Eric had forgotten about it.

“It can’t be them,” Emma said. “We’re too far away.”

“Those your friends?” Bode asked.

“Might be, but she’s right. They’re fifteen miles back,” Eric said.

“Radios sometimes travel better at night,” Bode said.

“Yeah.” The handset’s oversize antennae caught on the inside fabric of his pocket, and Eric fought to work it free. A hash of static and broken words crackled from the unit’s mechanical throat: mur … danger … bodies …

“Hey,” Bode said. “Sounds like you snagged the same police channel we—”

He broke off as Eric got the handset out just in time for them all to hear the scream.

TONY

It’s a Mirror

TONY LOST THE Camry after ten yards, although Casey’s flashlight and the brighter crimson penumbras from the three flares were still visible. After five more yards, the snow swallowed the third and farthest flare; at twenty-five, more or less, the second disappeared. Casey’s flashlight dimmed, but Tony could still pick it out. As an experiment, he waved his flashlight over his head in a big arc. A few moments later, Casey’s light bobbed a reply. So far, so good.

He walked for what seemed like a very long time and until his face ached with cold. Clots of snow had gathered on his chest and shoulders, and his eyelashes dripped iced tears. Wow, had the van been this far? He didn’t think so. He turned to look back. Casey’s flashlight was gone, but the flare nearest the Camry still flickered, the pinprick of light as fuzzy as a red cotton ball.

Okay, relax. So long as you see the flare, you’re still okay. But where was that stupid van? Fifteen more steps and he would call it—

His boot came down with a splash. Gasping, he jumped back as the smell came rolling up. Gas. Was that right? He aimed his flashlight, and frowned. Gas pooled over the snow. He lifted a careful heel, eyeing how the gas slopped and rippled around his boots. Deep. This can’t be right; no car holds this much gasoline. You’d need a tanker truck for it to have leaked this much.

Even so, that the gas was still liquid was wrong, too. Shouldn’t the gas have seeped into the snow, or …

Wait a minute. He shuffled, felt his boots skate and slide as the ripples expanded in ever-wider circles. That wasn’t snow under the gas. It was ice, as smooth and featureless as silvered glass. Beneath his feet, his face wavered and swam, his reflection so perfect that he could see the swirl of snow haloing his head. It’s a mirror.

“That is too weird,” he said, just to hear himself. His heart was suddenly thumping. “This has to be an optical illusion or something. You can’t make a mirror out of ice. It’s just … I don’t know … compacted snow and gasoline and …” He stopped. Never a whiz at chemistry or science, even he knew that made no sense.

Yeah, but then what is this? Flexing his knees, he pushed off on his toes with a little hop. His boots splished, the gasoline sloshed, but the mirror-ice didn’t give or crack. He’d stirred something up, though. As he watched, a gelid veil smoked from the pool in thick, white tongues. Mystified, he swept a hand through the mist, watched as his palm cleaved the suddenly nacreous air. Where his hand touched, there was a slight give, a webby stickiness that reminded him of pushing through musty cobwebs down cellar.

This wasn’t right. A creeping uneasiness slithered up his spine. The curtain of fog was rising, not lifting from the ice so much as growing. He aimed the spear of his flashlight straight up. The light didn’t penetrate more than a few feet before the smoking mist swallowed it whole. The beam’s color was off, too: not blue-white but a ruddy orange, like old blood. Yet he saw enough.

The fog was moving: not dissipating or being swept away by the wind but weaving and knitting itself together over his head. The fog was walling him in.

Oh boy. His mouth went desert-dry. He should … yeah, he should really get out of here. The fumes were thickening, dragging over his face in cloying fingers that worked into his nose and down to his throat to worm into his lungs.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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