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Slowly Hook disentangled himself. “You ain’t told me shit.”

He chuckled, wagging his big head, the flaming hair disheveled and uncombed for the better part of his three-day drunk. “Go back north to find out about your boys, Mr. Hook. Talk to the comancheros.”

“I come here to Chihuahua to talk to the comancheros.”

“That’s what I been trying to tell you!” he snorted, upending Hook’s bottle to refill his cup. “There’s no comancheros here.”

Jonah squinted. “They’re up north?”

With a nod the man answered, “North is where they trade. North is where they work.”

“So who the hell are those fancy-dressed fellas you pointed out to me?”

“Them—they’re called ricos.”

“Rich men.”

“Right. Their kind are the money men. They run the operations out of Chihuahua. That’s all they do—never soiling their hands with work. Maybe once in a while one of them will want to amuse himself and take a long vacation, ride north with a caravan, joining his hired vaqueros and the comanchero traders for a diversion one trading season or another.”

He squeezed it in his mind. Had he been looking all this time—month after month, season after season—for the wrong sort of man? Looking for him in the wrong place?

Jonah sensed his heart hammering with self-anger ready to boil over in tears of helpless rage. “You’re telling me there’s no comancheros here? They’re back up north?”

“Ricos, not comancheros. Not here.”

“Back up north, goddammit?” Jonah growled.

He licked the drops of tequila from the red hairs of his mustache. “Yeah. Chihuahua is where you’ll come when you find out which rico train brought your boys in. Here is where you’ll come to get some idea where the boys were taken once they were brought down here. Until then, you got to go back north and find some answers.”

“Back … back to El Paso?”

With a wag of his big head, the Irishman said, “No. Out there. To the northeast is the trail you need to take. It’s wide and well beaten. Used every autumn trading season for years. Centuries, likely.”

“Northeast?”

“To Portrillo and beyond the river.”

“Beyond the river, you say? Texas.”

“Texas.”

So now Jonah drank in this dark, smoky hovel of a cantina in a village he thought the locals called Vieja. Another one of the miserable, stinking jacales squatting somewhere north of the Rio Grande.

With Two Sleep he crossed back into the States at a place called Presidio, angling north by east from there, staying clear of the mountains that hugged the distant skyline here, there, and on almost every side of their line of march. It was a hostile land peopled with too few gringos and too many Mexicans, where a growing population of Texans were protected as best they could be upriver by Fort Quitman on the west, by Fort Davis to the north and Fort Stockton on farther east of there, outposts strung so far apart in that long, desperately thin line of frontier defense the army had been establishing ever since the end of the South’s bid for independence from the Union.

“You got the right idea,” the old man declared to Jonah. “But your line’s off some.”

At a settlement called Marfa a bartender had suggested that Hook scare up one of John Bell Hood’s faithful—an old Confederate soldier who might be able to help point the two sojourners in some likely direction or another. For reasons he could not explain, Jonah trusted the old man more than he had trusted most others come across in the years since leaving Shad Sweete and Fort Laramie behind. It came hard for Jonah Hook to trust others. So much already lay crushed and trampled inside him. Hard anymore to trust, to hope.

The old soldier dragged out a rumpled map with few lines scratched across its dark surface, a parchment given a rich buckskin patina of time and smoke and the grease of many fires.

“There,” Jonah said again. “I draw a line from Chihuahua north by east,” and he slowly traced his fingernail northeast across the Rio Grande the way he and Two Sleep had come, heading on east into the open ground east of Fort Davis and west of Camp Hudson and Fort McKavett.

“Like I said—appears your thinking is on the right track when you head out from Chihuahua. But trick now is you gotta think like a comanchero, friend. Think like someone going north to trade with the Comanch’.”

Jonah’s eyes studied the map, smarting in the dim light and the smoke of cheap tobacco, the smudge of tallow candles that gave this cold, stinking, low-roofed room its only glow of life. The far northern edge of the old Confederate’s map had the words Indian Territory scratched across it in bold letters, while the tracings of rivers were barely more evident than the many wrinkles aging the old parchment.

“I come this far from the plains because I was told that the comancheros trade outta New Mexico. Went down there the long way from Fort Laramie, wandered around and found out I needed to head south to Chihuahua. That was where I was told to come back north, into Texas.”

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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