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Immediately his eyes fell to her loose blouse, hidden partially beneath the folds of a coarse woollen shawl she had knotted against the depth of her cleavage. In the way she thrust those breasts at him, she made it plain that there was nothing else beneath the blouse, nothing but her brown flesh that rose and fell with her every breath as she poured herself a drink from Hook’s bottle.

“Help yourself,” he said with a wry grin, already sensing his hands on those breasts, willing his lips to suck at their warm aureoles.

There was something playful around her big eyes. Jonah supposed it was the fact that she wanted him, had abandoned the Mex at the bar and came over to show the gringo that she wanted him. She seemed so young, though, so likely that look in her eye was only something practiced, for someone so young would not really know how to share herself with a man. He tugged down the last shred of woman-loneliness left in him, hungering to recognize those small, furtive changes in a woman’s face when she draws close to the one she wants to sink her claws in, if only for a night, if only for an hour, if only for as long as it will take the man to seize his satisfaction.

When he spoke his English, she looked at him quizzically, the cup stopped at her chin. “Señor?”

He hadn’t meant to say it in English. “Don’t matter. Drink up.” Jonah took his cup from the table and clacked it against hers, motioning for Two Sleep to toast with them.

She was woman enough and he had been without long enough, she put the blood so thick in his throat that he could scarcely swallow the ribbon of fire the tequila made descending from his tongue. The pulque didn’t possess the reassuring and familiar formaldehyde stench of frontier whiskey.

She smiled like sunrise calm in the autumntime, something smoky and warm to it, and tossed back the hot tequila in one gulp, hammering the table once as she set her clay cup back down and poured more of the fiery cactus juice into it. That teasing, taunting look in her eyes had probably condemned many a hapless, helpless man to doom in this same stinking cesspool of a cantina.

From the corner of his eye Hook noticed the tall vaquero at the bar for the first time, a young dandy who stood a head above his companions, their faces shrouded in smoke rising from their corn-shuck cigarillos, voices clanging sharp-edged like tiny cymbals. The handsome horseman was dressed in creamy leather all lashed together with stamped conchos and roped in gilt braid. In the dim candlelight Hook could barely make out the man, not much more than a foggy blur of the vaquero’s face as the Mexican glared flints in his direction, and for a minute his tequila-dulled mind argued on which one of them the Mex was looking at. Perhaps the vaquero simply did not like Two Sleep. No matter, really. There would always be those who didn’t take to Injuns.

But that did not quite fit, either, the more Jonah’s slow mind kneaded it while he kept on eating, his teeth tearing at the chiles and the tortilla, sucking back the softened beans, then gazed up at the vaquero again and decided the man was glaring at the woman. That was it, he decided. She had come over from the bar, where he remembered seeing her looped beneath the vaquero’s arm when he and Two Sleep had blown in and slammed the crude door behind them, the fine powder from the trail settling like gold dust in the pale, yellow candlelight. Ever since Jonah had felt her hot black eyes on him.

The way he now sensed the Mex’s eyes burning a hole of hate in his left shoulder.

From where Jonah sat, he faced the door and the room’s only window, his back for the most part turned on the bar and half of the room. His partner watched the rest of that low-roofed hovel.

“How many’s the others?” he asked Two Sleep, grumbling it in English.

The Indian did not answer at first. Instead, he swabbed some more beans and chiles into his tortilla and stuffed it in his mouth. As he wiped the back of a hand across his lips, only then did the Shoshone’s eyes quickly rake the half of the room under his gaze.

“Five,” he replied in English. Then moving his hands quickly, but casually, in the ballet of plains sign language, Two Sleep told Hook the rest.

Three of them do not belong to the rest of the poor ones. Three of them are for us.

“Three with him?”

The Shoshone nodded his head.

When Hook began to look back to the woman, he watched the Indian’s eyes climb and narrow. Jonah smelled the man before he heard the leather-heeled boots clatter to a halt beside his chair.

“You may be only a slut,” he told the woman gruffly. “But tonight you are my slut. Come with me.”

Her black eyes went to Jonah’s, perhaps to search for hope, to plea for help, to find a hero.

“Come!” he roared at her.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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Чаща
Чаща

Двадцать лет назад ночью из летнего лагеря тайно ушли в лес четверо молодых людей.Вскоре полиция обнаружила в чаще два наспех погребенных тела. Еще двоих — юношу и девушку — так и не нашли ни живыми, ни мертвыми.Детективы сочли преступление делом рук маньяка, которого им удалось поймать и посадить за решетку. Но действительно ли именно он расправился с подростками?Этот вопрос до сих пор мучает прокурора Пола Коупленда, сестрой которого и была та самая бесследно исчезнувшая девушка.И теперь, когда полиция находит труп мужчины, которого удается идентифицировать как пропавшего двадцать лет назад паренька, Пол намерен любой ценой найти ответ на этот вопрос.Возможно, его сестра жива.Но отыскать ее он сумеет, только если раскроет секреты прошлого и поймет, что же все-таки произошло в ту роковую летнюю ночь.

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