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Jonah knew he had hit him.

Behind the roar of those three shots came the frightened cries of the nearby horses and the rustle and grunt of men clearing their blankets and canvas bedrolls, hollering out questions and orders, chambering cartridges in their weapons, one of them kicking dirt onto the red embers.

When a gunshot rang out, the muzzle flash caught the corner of Jonah’s eye. The fire tender pitched headlong across the remnants of the uncovered embers. He wasn’t moving.

“Out there!” one of them shouted, pointing into the darkness.

Three of them fired a succession of shots.

“Careful! Hines—go see if we got ’im.”

“Me? In the dark?”

“There’s five of us—”

“Four, Cap’n.”

“Four then, by God! And there’s likely less of them out there or they’d rushed us. Goddamn Injuns!”

Another shot rang out on the far side of the camp, causing the horses to cry out, hammering the ground in their hobbles, tearing against their pickets. Jonah knew Two Sleep had moved like mercury spilled on a table after his first shot had killed the fire tender.

“They’re after the horses!”

A pair of shots rang out as the gunmen whirled in a crouch to the west—all but one of them. The one that Jonah had failed to see. Hook rose from the blackness of the sage again, intending to take them in the back. And to his left as he did, Jonah heard the click-chunk of the hammer an instant before the night whited in muzzle flame.

The bullet stung his left wrist, snarling past his belly.

Like something hot he lost the pistol in that hand, felt it spinning to the ground, still intent that he would not lose the one in his right despite the pain that came to his belly as the wind whined past, kicking dust into his eyes. Another shot collided with the flaky sand at his side, the flash bright and searing in the deep of desert blackness. The gunman moved slowly toward him. Then a third shot as Jonah rolled, hearing the whispering hiss before it too screamed into the ground where his head had been a heartbeat before.

Behind him arose the rattle of more shots shattering the twenty-five feet to the fire, dying as the cries of men and protests of their horses split the dark. Finishing his roll, Jonah raised his gun hand—hearing the unearthly war cry of the warrior.

“It’s Injuns, Slade!”

“Kill ’em, Charlie! Kill ’em all!” the man coming for Hook cried out.

Hook fired as the steps loomed closer. He heard the bullet hit, that unmistakable sound of a wet hand slapping putty. Then the grunt of the gunman.

Still, the Mormon came on after only a moment’s hesitation.

“Sonofabitch—I’ll have your balls!” the man grumbled, and fired into the blackness, then fired again.

A third time the hammer fell on an empty cylinder as Jonah steadied his pistol and aimed it at the black hole punched out of the starshine in the high desert night sky.

He fired. Heard the bullet smack soddenly into its target—the wind socked out of the man. Jonah heard him take one more step, then another, grumbling liquidly as he came.

“Slade?” a voice called from the far side of the fire. “Slade?”

Then the voice was cut off, gone garbled and wet—choking. Like a man drowning in his own juices.

He heard the one called Slade pull a second pistol, cocking it in the growing silence of that blackest of time when night was prepared to give itself to the first seduction of day.

“Get you … you red sonofabitch!”

Where had he hit the man? Jonah wondered. The way the bastard cursed, that thickness to his words spoke of fighting down the pain. But—that he was still moving.

Hook fired his last shot into the darkness, then rolled back in the direction he had come, struggling to drag a second, loaded cylinder for the pistol from his coat pocket.

Without time to move the man was atop of him, collapsing to his knees soddenly, snatching Hook by the collar of his coat and yanking his face up close. He weaved a bit, putting the muzzle of his pistol into Hook’s face, wobbly.

“You … you ain’t no Injun,” Slade spat, his tongue thick with blood. “Who the hell are—”

With the plunge of the wide blade, Hook watched the Mormon’s night eyes grow big as Sunday saucers.

Jonah grunted as he fought to drag the big skinning knife the full width of the gunman’s belly, feeling at last the warm, syrupy blood gushing over his hands as he disemboweled the Danite crouched over him.

Dark fluid gushed from the man’s mouth as he struggled to find the words, sputtering. Until finally …

“The … the goddamned farmer.”


14

Moon of Leaves on Fire 1868

THE PALE-EYED WAR chief had made sure the two boys had homes and families when first they were brought to live with the Kwahadi. They were not only cared for and fed, but taught the way of the Antelope Comanche as well. They learned about weapons and riding, how to hunt the dwindling herds of buffalo, to stalk deer and antelope and turkey. They grew better with every season in the rough-and-tumble wrestling that was nothing less than preparation for the killing arts of making war on the white man.

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Все книги серии Jonas Hook

Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Двадцать лет назад ночью из летнего лагеря тайно ушли в лес четверо молодых людей.Вскоре полиция обнаружила в чаще два наспех погребенных тела. Еще двоих — юношу и девушку — так и не нашли ни живыми, ни мертвыми.Детективы сочли преступление делом рук маньяка, которого им удалось поймать и посадить за решетку. Но действительно ли именно он расправился с подростками?Этот вопрос до сих пор мучает прокурора Пола Коупленда, сестрой которого и была та самая бесследно исчезнувшая девушка.И теперь, когда полиция находит труп мужчины, которого удается идентифицировать как пропавшего двадцать лет назад паренька, Пол намерен любой ценой найти ответ на этот вопрос.Возможно, его сестра жива.Но отыскать ее он сумеет, только если раскроет секреты прошлого и поймет, что же все-таки произошло в ту роковую летнюю ночь.

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