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“I’m not sure I know how to pray much anymore, Two Sleep—but I figure the Lord is somehow listening,” Jonah said. “I figure you’re here to help make things right for both of us.”

Waiting out here in the dark among the clumps of sage, stretched prone on the cold ground as a gust of cold wind slapped his face, Jonah sensed what a brown-skinned warrior must feel as he lay beyond the welcome, warm ring of a white man’s firelight. It seemed evil was always executed beyond the pale of darkness.

The Danites’ fire had gone to red coals untended and writhing in the pit they had dug to conceal the flames and thereby prevent discovery by a chance and wandering war party.

Jonah found little amusement in that. The Mormons had no reason to worry themselves over wandering Indians tonight. It was instead the darkness and the cold autumn wind snarling across this high land that would cloak the danger.

The six had picketed their hobbled horses downwind from camp. He had learned always to graze his animals upwind, as a source of early warning. Especially in darkness: the time for evil.

How he wanted to feel the warm blood of these Mormon zealots on his hands again. Just as he had at Fort Laramie when he killed Laughing Jack. Before he stuffed the body beneath the river ice. A long, long time ago it seemed now—so many miles gone under his heels since.

Then he remembered the taste of his rage as he knelt over the bleeding Boothog Wiser back in Nebraska, in the end killing Jubilee Usher’s lieutenant before he could allow himself to flee with his daughter. Hattie.

Here in the cold he keenly sensed the loss of her, wanting again the soft, warm touch of her as he embraced the skinny girl teetering on the verge of womanhood there on the Kansas railroad platform, sending her east to St. Louis—far from harm, far from this wild, cruel land that had become his prison.

Four, maybe even more of them, had Jonah tallied for himself already as he drew closer and closer on the trail of Jubilee Usher, closer to reclaiming his wife from those who had ripped his family apart. He lay there now in the dark of that moondown, brooding on how much easier the killing got when he thought of these men as nothing more than animals: beasts who were meant to die. Easier it was for him to pull the trigger or use the knife, to do what he had to do when he thought of the Mormons as—

The scrape of boot soles on the sandy soil leapt out at him from the darkness.

Muffling the sound against his body, Jonah lightly brushed his thumb back across the hammer of one of the big .44-caliber pistols, then the other hammer, to assure himself they were cocked. His eyes strained beneath the dim starshine now that the moon had fallen. The sky was quickly whirling to the coldest time of the day—the moments before the first faint strands of gray would emerge out of the east. And with this wind blowing the way it was, torturing the sage … he was thankful none of the Danites could smell him bellied down in the darkness.

Ten feet away the man stopped and turned slowly, as if himself trying to make something out of the night. From the hole he punched out of the starry skyline, the gunman carried a rifle across the fold of his left arm.

“Bolls!” the man whispered harshly.

There came no answer.

Jonah knew he wouldn’t have much time to act if the Mormon grew nervous. He might just up and turn, shouting a warning back at the other four who lay sleeping like black humps of coal on the prairie, their feet to that shallow fire pit.

“You asleep, Bolls?”

And when no answer came, the man there to relieve the watch started to turn again. Jonah slowly raised his pistol—wishing he could do this another way: use his knife as Two Sleep had on Bolls, the first guard, lying somewhere out there in the darkness. It would be quieter, and every bit as efficient.

“Where you, Bolls?”

He wouldn’t have much more time, a heartbeat or two only—

As the guard turned his back on Hook, Jonah rose from the sage, pistol flung back at the end of his arm. He could knock him in the head if he could cross the ten feet before the man heard him.

The guard whirled back, rifle coming up to block the barrel of Jonah’s pistol as it fell to graze the side of the Mormon’s head, slashing downward against flesh and bone. The fury of his attack caused the guard to stumble backward a step as Jonah clumsily lashed out with the pistol in his left hand. Swearing, the guard brought the rifle down. It spat bright, blinding fire, the bullet keening wildly into the black of desert night.

It had passed close enough to make Hook fling himself onto his belly and pull a trigger himself, aiming by feel—like that night with Major North’s Pawnee scouts, clustered among the baggage of Chief Turkey Leg’s Cheyenne camp when the young Cheyenne warriors came charging out of the blackness. Now he saw behind the muzzle flash a second bright blast from the guard’s gun as the Mormon was flung backward.

Only one thing would have made the man arch backward like that.

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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