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“All right. Captain Sumner with D Company, and Captain Maley leading C Company, you both will take the front of our charge. Major Crittenden will ride in command of this center squadron. Major Royall, your squadron of companies E and G remain in reserve immediately in my rear. Ready your units for the attack, gentlemen.”

As the company commanders passed orders down the line, Major Frank North boldly placed his Pawnee battalion on the far left flank, in plain sight of the village, awaiting the order to charge. When Lieutenant Price with A Company had moved off about five hundred yards to the right and signaled that he was ready, Major Carr finally rose in the stirrups. Since Lieutenant Price’s company had the farthest distance to cover before reaching the village, the charge would be guided on it. Like the power of a passing thunderstorm to raise the hair on his neck and arms, Sweete sensed the electrifying tension crackle through the entire outfit as Carr issued the first order of the coming attack.

“Sergeant Major: move out at a trot!”

Joseph H. Maynard turned in the saddle to bellow his command. “Center-guide! Column of fours—at a trot. For-rad!”

Prancing away with the rest, Sweete noticed that the dry, hot wind had picked up suddenly, blowing out of the west, born out of the front range of the Rockies far, far away. With a glance toward the high mountains, how he wished he were there among its beckoning blue spruce and quaky. Then he found his thoughts yanked brutally back as the clatter of those hooves and the squeak of leather, the rattle of bit chains, went unheard in that unsuspecting village of Dog Soldiers. In a matter of heartbeats, the three flying lance points had closed to a thousand yards … and still no sign they had been discovered by the Cheyenne.

In the next moment there appeared ahead of Shad a young horseman atop a white pony, standing guard among the distant herd grazing lazily on the grassy bench. As if shot, the Indian reined about abruptly, racing headlong for the village, hair flying, down the long slope into the valley.

Sweete turned his head, trying to listen to the loud voices swirling around Carr and Cody at the point of the charge, hearing only shouts and curses—unable to understand anything for the noisy charge of the three hundred. One thing was certain as sun to the old plainsman: the soldiers intended to reach the village before that lone herder could warn those in camp.

Carr hollered out again, near standing in the stirrups, flinging his command behind him at his bugler.

John Uhlman jammed the scuffed and dented trumpet to his parched lips as the entire command loped onward toward the village. But no call came forth.

Up and down the front men began hollering, adding to the confusion, as bugler Uhlman tried again to blow his charge. Then Quartermaster Edward M. Hayes shot up beside Uhlman and yanked the horn from the bugler’s hand as their mounts jostled.

Hayes brought the bugle to his mouth and blew the soul-stirring notes of Carr’s charge.

Up and down the entire line throats burst enthusiastically, raising their raucous cheer as hundreds of Spencer carbines came up and the jaded horses were ordered to the gallop. Although they had been driven far beyond endurance and the call of duty across the last four days, those gallant animals answered the brass-mounted spurs for this one last dash.

Without thinking, Quartermaster Hayes flung the bugle to the ground and pulled his pistol free.

Shad watched a clearly dismayed John Uhlman glance behind him at that trampled tin horn lying discarded among the grass and cactus. Then he too was swept along by something now out of control.

Sweete felt no different: caught up in this, swept up and charging down on a camp of his wife’s own people. Snared in something that was no longer in his control. Something he no longer understood. Perhaps, he thought, he was every bit as bewildered and as frightened as the young bugler.

Not knowing where this day would find him. And at what cost.


“People are coming!”

At the distant warning cry, High-Backed Bull shaded his eyes with one hand against the sun risen now to its zenith. Others in the camp stood or came to stop what they were doing, right where they were standing. Children still played, a few dogs barked. No one seemed particularly alarmed.

Two nights before, they had camped beside the upper reaches of a stream the Shahiyena called Cherry Creek. Yesterday afternoon Tail Bull and White Horse had led them to this place of the springs that gurgled forth from beneath the White Butte.

Five summers gone Big Wolf and his family had been killed by soldiers a stone’s throw from this spot.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Двадцать лет назад ночью из летнего лагеря тайно ушли в лес четверо молодых людей.Вскоре полиция обнаружила в чаще два наспех погребенных тела. Еще двоих — юношу и девушку — так и не нашли ни живыми, ни мертвыми.Детективы сочли преступление делом рук маньяка, которого им удалось поймать и посадить за решетку. Но действительно ли именно он расправился с подростками?Этот вопрос до сих пор мучает прокурора Пола Коупленда, сестрой которого и была та самая бесследно исчезнувшая девушка.И теперь, когда полиция находит труп мужчины, которого удается идентифицировать как пропавшего двадцать лет назад паренька, Пол намерен любой ценой найти ответ на этот вопрос.Возможно, его сестра жива.Но отыскать ее он сумеет, только если раскроет секреты прошлого и поймет, что же все-таки произошло в ту роковую летнюю ночь.

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