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“Three families will mourn tonight,” Porcupine said. “Think first of the sadness that will visit our village. Only when the men have cut their braids, when the women have bloodied themselves and wailed can we take up the path of these soldiers and their Shaved-Head wolves come sniffing on our backtrail.”

“When!” Bull snapped angrily, turning on Porcupine so suddenly, he flung sweat from his painted brow. “How long?”

Porcupine’s eyes narrowed as he measured the young warrior riding beside him. “You are Shahiyena. And you ask me that question? Control the fire in your heart and think of your people. You are a Dog Soldier. Do not let me find you fighting this battle by yourself.”

Sensing the sting of something heating its way through him with the war chief’s words, Bull finally nodded. “Two days. Yes?”

He nodded at the younger warrior. “Two days, Bull.”

“Then we can ride to attack again?”

“Two days and we will ride to avenge the death of three of our own. We are Hotamitanyo.”

“We know the yellow-leg soldiers are coming—why won’t Tall Bull or White Horse fight them in force?”

“If the day is right—we will attack the soldier column. Until then—we will be content to steal their horses, to harass the Shaved-Heads who guide the soldiers and watch for our chance to frighten the ones who drive their supply wagons.”

“We can make the day right here and now, Porcupine. We can—”

“Wait two days, Bull. Those who have lost must have their grief, shed their blood.”

“And what of us who carry a vow? What of us who have sworn to drench ourselves in another’s blood?”


July was already eight days old.

For two marches following Becher’s scrap with the war party, Major Carr kept his cavalry doggedly plodding north by west along the Republican River, without deviation. Then yesterday a platoon of North’s Pawnee had come upon a scatter of footprints near the edge of an abandoned enemy encampment. They had called Major North and Shad Sweete over.

“We can’t be sure, can we, Mr. Sweete?” Frank North asked.

Shad had shrugged. “S’pose not, Major.”

“I’m for waiting.”

“Waiting?”

“To tell the general. Wait till we have more proof. Till we got more of something solid to show him. Just from this”—and North’s hand had pointed down to the windblown scatter of running tracks— “I don’t think any of us can say for sure.”

That was the indecision of yesterday. But this morning, they found their proof.

Telltale footprints that North showed to Carr.

Sweete had watched the effect those tiny impressions in the hardened sand had on the major. What he and the Pawnee had come across were not moccasin tracks—but instead the prints of a woman’s slim boot. Carr had knelt over them, reaching out with a fingertip as if to measure the depth the tiny heel had made in the soil. Maybe even to measure the terror the woman must have experienced as the village hastily packed up to flee his oncoming troops.

“It raised the hair on the back of my neck too, Shad.”

Sweete turned from staring hypnotically at the fire to find Bill Cody settling beside him. “What got your hackles up?”

“Thinking about them white women held captive by that bunch.”

“Does Carr know there’s two sets of them tracks?”

Cody nodded once. Staring into the fire, he answered, “I suppose he does know.”

“I saw for myself the look on the man’s face. He wants that village bad, Bill.”

“How can you blame him, Shad? Them bloody Cheyenne. No telling what them bucks been doing to them Christian women—” Cody broke it off, realizing his mistake with the old plainsman. “I’m sorry, Shad. Just running off at the mouth like I do a’times. You and your family … didn’t mean nothing by it—”

“No offense taken, Bill.”

Cody stared contritely at the ground. “Just that when I looked at them boot prints—made me think on my own Lulu. Thank God she’s safe back in St. Lou. Glad as hell she ain’t out here to get caught up in this war.”

Shad poked at the fire a moment before saying, “You know damned well who those women are, Bill. We all do. Know who their husbands are. Ain’t a man can move his white woman out here to this country that he don’t know what chance he’s taking with ’em. Go ahead and tell me that ain’t why you keep your woman safe back to St. Louie.”

Nodding, Cody replied, “I know it’s gotta be Tom Alderdice’s wife. And the other—Weichel—the German woman. Yes. Safer for Lulu back there.”

Shad emptied his cup of lukewarm coffee. “Carr’s not bound to stop this column for much of anything now that he’s got a scent in his nose to follow. Damn well that he should too—’cause if we don’t catch this bunch of outlaw renegades now, we likely never will.”

“Naw. We can follow ’em wherever they go, Shad. Look: we come upon sign of ’em after all this time—we can do it again.”

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Все книги серии Jonas Hook

Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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