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He nodded. “Damn slim, Bill. Or, you told me I had to put money on it—I’d say they got their village hid away someplace, far enough away from where they been raiding that we ain’t run across sign of it.”

“What happens if we keep up the pressure on the war parties?”

“They’ll split up until there ain’t much of a trail to follow.”

“Long as we got one trail to follow, Shad—we got ’em. Right?”

“You know well as me, Cody: we only need one trail. We follow it—we’ll find the rest eventual,” Shad answered.

The young scout smiled as he leaned forward to cut a slice of the buffalo loin staked over the coals in Sweete’s fire pit. “And when we find the rest of the war parties—we’ll sure as hell find Carr’s village of Dog Soldiers for him.”


Here in the first days of the Moon of Cherries Blackening, High-Backed Bull found himself disgusted with Tall Bull and the way the man yearned after the white woman they had captured many suns ago.

Since then the Dog Soldier chief had lusted after the captive, keeping her to himself as his private concubine. Each night when he was done with her, Tall Bull threw the woman from the lodge, where the camp dogs were immediately drawn to her—likely drawn by the smell of the blood from her beatings, perhaps the earthy fragrance to her after Tall Bull’s coupling.

Bull almost felt sorry for the woman as night after night he watched her crawl away naked from the chief’s lodge, her small bundle of bloodied clothing clutched beneath an arm, doing her best to fend off the curious camp dogs.

So the disgust he first felt for Tall Bull had grown to revulsion. Not because the chief was a man who claimed his carnal rights to the white prisoner—but because Tall Bull was slowly losing interest in making war on the whites. Because of the woman, it seemed Tall Bull thought of little else but coupling. Not of attacking. Not of stealing horses and the spotted buffalo. Not of killing the whites. Every day he appeared to think of his loins a little more.

Though she was white, Bull could not bring himself to blame the woman. He cursed any man, especially a war chief, who thought of little else but coupling with a white person. That thought alone stoked Bull’s inner rage. More and more it took increasing effort to keep from hating the white part of himself.

“You are always cleaning that gun,” Porcupine said. “Come with us, Bull.”

He looked up from cleaning the big Walker revolver to the handful of older warriors standing in a crescent around him. Bull gazed down the barrel, finding satisfaction in the gleam of metal in evening’s fading light.

“Where do we go?” he asked almost absently.

“To talk to Tall Bull,” said a war chief of great reputation. “You will want to hear what we have to say.”

“Does White Horse grow weary of this waiting too?”

The war chief started to turn away, saying, “Come with us, High-Backed Bull. And you will hear me speak what burns in your own heart.”

They found Tall Bull and took the chief to White Horse’s lodge, where they quickly smoked a pipe without great ceremony.

“It is time we spoke of making more attacks,” White Horse said directly.

Tall Bull’s eyes flicked slowly from man to man around the circle. Yet he said nothing.

“This summer heat makes you grow restless, eh?” Wolf Friend asked his question of White Horse.

Bull watched for a sign from the face of Tall Bull, then that of his closest companion—Wolf Friend, one who would do his best to support the chief.

Bad Heart was hardly a friend to any man who did not want to make war on the white man. He and Bull were the two who stayed most loyal to Porcupine across the seasons. Bad Heart sneered as he asked, “Why does Wolf Friend ask this of White Horse? Does he think White Horse grows restless because he does not have a white woman to copulate with?”

The group laughed together, a little uneasily as they passed around a water gourd. Outside, the lodge skins were rolled up; beyond, a group of children hurried by in the deepening dark of twilight while the moon rose yellow as a brass rifle cartridge in the east.

“White Horse is right,” agreed Plenty of Bull Meat. “We dare not let up on the white man now.”

“Aiyeee! It is for us to keep attacking until the white man and his kind are driven out of this country for good,” Yellow Nose said.

“What of the soldiers?” prodded Tall Sioux. “We go in search of the white man’s settlements to attack … then the soldiers come after us. No—it is not the earthscratchers we must attack now. I say we must go after the soldiers who come marching winter after winter to attack our villages.”

“Tall Sioux speaks true,” said White Man’s Ladder with a cautious tone. “Soldiers search out our villages, butchering our women and children who cannot escape. Remember Black Kettle’s people?”

“Black Kettle ate the scraps of food the white man didn’t want to throw to his dogs,” Porcupine muttered angrily.

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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