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“Think you was one of them,” Two Sleep said as he strode up and crouched beside Hook.

“I almost killed you, you stupid Injun.” He said it with relief.

Two Sleep gazed around a moment. “All them gone. Make quiet so quick. Two for you. Rest for me.”

“You’re bleeding.”

Gazing down at the spot where his shoulder met the arm, the Shoshone replied, “Chew some root. Wrap up for two days. Something small. You hurt?”

“No, don’t think so,” Hook replied as the Indian grunted, heaving the heavy body from Jonah’s legs. He sat up watching the ground turn gray in those moments while his head finished its wild, spinning dance. “They all dead?”

Two Sleep nodded, finally stuffing a pistol beneath the belt that wrapped his wool coat around his waist. “You want scalps?”

“No.” He shook his head, hanging it between his shoulders. “Only one scalp I really want.”

“He not here?”

With a struggle Jonah got to his feet, leaned on the Shoshone for a moment. “I got an idea where to find him.”

“South.” Two Sleep turned and strode back to the fire pit, using one foot to push a body off the pit where the clothes had smoldered and the flesh begun to burn with a sickening stench. “Coals in fire hole cook our meal. We eat. Wait the day till you ready to ride.”

“I don’t need no breakfast, you dumb Injun,” Hook snarled sourly. “You remember we lost more’n a day already—riding back to take care of this bunch. I don’t aim to lose no more time tracking Usher.”

Two Sleep stared wistfully at the food and collapsed to one of the Mormon bedrolls. “Then we sleep. No sleep for me in night. Sit with you till ready to attack and fight. No sleep for me. I’m tired.”

“Sleep if you want,” Hook growled as he threw the first of the Mormon’s weapons down onto a rumpled blanket. “I’m taking all the guns, and what food they got. I’ll leave you something to eat when you wake up from your nap. Figure to take any horses not lamed up to carry all of it.”

“You go now?”

He dragged another gun belt from one of the bodies and pitched it onto the blanket with a clatter of polished steel. “Soon as I get our horses down here.”

Two Sleep grumbled as he clambered to his feet. “You make me sleep on horse again today, Hook. You a hard friend to have.”

“Don’t have to go with me. Stay—take care of that shoulder.”

The Shoshone stopped before the white plainsman. Staring Hook in the eye. “Yes. Yes I do have to go with you. Two of us. Not alone you go.”

And Hook understood, staring into the dark pools of those eyes in the gray light of day-coming. “All right—I figure you do have to go with me after all is said and done. And I’ll admit I’m glad you’re along for the ride.”

“I get the horses, Hook. Then we go,” he said as he turned away from the white man, striding off across the sagebrush flats toward the boulders where they had hidden their animals, slowly rubbing his wounded shoulder.

Gazing for a moment to the east at the growing light, Jonah sensed more than ever the pinch of time, the way new boots pinched his feet. “Damn right we’ll go, Injun. Lost enough bloody time already.”





15

Moon of Ducks Coming Back 1869

SPRING HAD COME to the southern plains. Flowers bloomed and birds flocked in great heaving clouds over every new pond tilled by the last thunderstorm. Chilled of a morning, the air nonetheless warmed long before the sun ever rose to its zenith. Shoots of young grass crowning the rolling hillsides nourished the winter-gaunt ponies with the promise of strength for renewed raiding.

An endless wind blew out here, this far west beyond any white settlement—wind that tormented Tall One’s long hair, tied in braids now. It had been something on the order of four winters since last a pair of scissors had touched his hair. Filmy, milk-pale memories of a chair set on the narrow porch of a log building … a small boy seated there, a bed sheet swallowing him from the chin down … a dark, thin man busy above the boy with a comb and scissors. Cutting his hair.

Hair. The source of the Kwahadi warrior’s greatest pride.

Tall One touched a braid wrapped in the fur of a buffalo calf as he peered east, wondering about that man from his memories.

Every day it seemed he grew more and more filled with doubt that he had ever lived another life, more than he was filled with yearning or remembrance of the past. Still, he could not deny that smoky wisps of ghostly trails troubled his mind when some smell, some sight, some texture, triggered recall. He always choked them down, afraid the memories would cause him doubt in what he was, who he had become with the Antelope People.

Most of all, Tall One was frightened to death that the Kwahadi would find out he was not what he wanted most to be—a young Comanche warrior waiting for his first pony raid—but that he was nothing more than a lying, thieving, murdering white-tongue after all. No different from all the rest of the lying, thieving, murdering white-tongues.

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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