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From time to time they circled back to re-provision, backtracking east to Camp Supply, using vouchers to draw on the treasury of the great State of Texas. It was there these men caught up on the momentous news following the bloodletting at Adobe Walls. The southern plains were indeed on fire—and from the sounds of it, the government was finally determined to put an end to Indian problems down here once and for all. William Tecumseh Sherman’s War Department had ordered no less than five columns into the field, all to converge on the Staked Plain, home of the holdouts: the Kwahadi Comanche.

Trouble was, right in the middle of it all lay the territory assigned Major John B. Jones’s Frontier Battalion of Texas Rangers. And at the heart of that was a piece of ground marked out for patrol by Captain Lamar Lockhart’s company of horsemen. Them, and some of the most skillful nomadic red raiders of the Llano Estacado.

Back in late August when Company C rode in to Camp Supply, they learned that Colonel John W. Davidson’s four companies of brunettes had already cut the deck. Those buffalo soldiers had forced the issue—scattering some of the fiercer bands, driving others back to their agencies. Seemed the government had demanded a roll to be made of all the peaceful bands on the reservations. Those not answering the roll call were deemed clearly hostile and would be hunted down, then driven back to their agency if possible.

“If that ain’t possible,” Niles Coffee was explaining what had been told him by friends he knew among Camp Supply’s soldiers, “then the army’s got orders to exterminate ’em.”

“Praise God!” Deacon Johns wailed. “Them savages are purely onhuman. Separate the wheat from the chaff, sayeth the Lord.”

“Trouble is,” Lamar Lockhart cautioned, “all those warrior bands that didn’t answer the roll at Fort Sill, or over at Anadarko and up at Darlington—they’ve all gone off and scurried west toward the headwaters of the Red River, the Brazos—who the hell knows how far they’ll scatter now.”

“The Kwahadi … they’re scattering?” Jonah asked anxiously.

“Chances are that’s what they’re doing—and why we haven’t found a sign one of all that bunch that went and hit the buffalo hunters at Adobe Walls,” Coffee answered.

“You think we’ll find any Comanche?” Jonah inquired, his cheeks growing hot in angry frustration. “Or we gonna keep riding back and forth till we’re old men?”

Lockhart turned to Hook. “You took an oath when you joined up, Jonah Hook.”

“I don’t give a goddamn about Texas!”

“No,” Lockhart replied all too quietly as the company of men moved close. “Maybe you don’t. But the rest of these men do. So I want you to think of one thing before you decide on booking in and giving up on this company’s duty. Think about the fact that of all these men here—I don’t know a one of them who positively knows they have a member of their family among the Comanche.”

Jonah’s eyes moved slowly across the more than two dozen men standing quietly nearby, every last one of them watching him with intense interest. “I don’t understand what you mean, Cap’n.”

“Jonah—it’s as simple as this: these men ride out with me into the unknown every morning for less than a dollar a day, hoping to find the scattered hostile villages, praying they’ll find white captives in those villages we do run onto. But not a one of these brave men has kin among the Kwahadi. But you do, Jonah Hook. By damned, you do.”

He felt the sting of the words slap him with the force of a flat hand across his jaw.

Lockhart stepped closer, his eyes gone as black as gun bores. “Jonah, I don’t know a bunch of men you could ride with who could pray any harder than this outfit has that it will be them that finds your boys for you.”

The colicky harshness, the utter truth of the captain’s words made Hook tremble inwardly. “I … I’m sorry, Cap’n Lockhart.” He snorted back some of his unrequited anger. “I’m riding with you. Riding with all of you.”

“Give us time, Jonah,” Niles Coffee said, “time and a little luck—we’ll find ’em for you. By God—we’re bound to find ’em.”

That night, their last at Camp Supply for some time to come, Jonah lay awake for the longest time as the rest of them snored. Unable to sleep, he could not tear his mind loose from what war machinery the soldiers told Coffee was already in motion. If by some kind of luck his two boys were still alive and still with the hostile Kwahadi of Quanah Parker out there on the Staked Plain, there now existed the very real possibility that they would soon be in the very path of that hungry war machine.

Two small boys …

But he had stopped, forcing himself to remember they were no longer little. Grown to young men already. Old enough to be … soldiers themselves.

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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