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“We may not be military,” Lamar Lockhart had reminded them before they rode out from Jacksboro. “We may be nothing more than irregulars—but we have no need of looking like bobtails, do we?”

Irregulars indeed: a Ranger furnished all his own needs and arms. Never did these men ride beneath any flag, nor with a surgeon along. And all matters of rank came about through a man’s ability to lead and inspire his own company of staunch individualists—not through some political appointment or timely graduation from the U.S. Military Academy.

It did not take long for Jonah to come to admire the saddle-hardened men in this crude bunch he rode with, marching northwest from Fort Richardson toward the Staked Plain of the Penateka and Kwahadi Comanche.

No—not for pay, nor for glory did this company of Rangers ride into the breach.

For most of these it might be but the memory of a loved one killed, scalped, and savagely mutilated that spurred them to join. Mothers and fathers, perhaps a sister or brother. Blood kin captured and enslaved, outraged or butchered.

This was something that Jonah Hook understood right down to the very core of him.

These were men who rode into Comanche country with a score to settle.


33

Summer 1874

SUMMER’S LONG DAYS of oppressive heat were almost more than Gritta Hook could bear.

Year after year her days flowed like this, agonizingly slow from one to the next. Season after season Usher marched them north when autumn kissed the trees with color, south again when those trees bloomed in spring—into the land of desert and cactus and dark-skinned, raven-haired people who stared at her from the side of the dusty roads where rumbled the ambulance George drove.

It was good she remembered. She tried so hard to remember names nowadays. Jubilee Usher … and the old colored man called George and … her name was Gritta.

The big man never called her by her name. How she wished he would. If only once. To say her Christian name. Not the one she took when she married long, long ago. But her own name. Gritta.

So she said it to herself when the days grew long and the nights became lonely. She devised conversations between herself and Usher, between herself and the old colored man, long conversations about nothing of any great consequence. Something—anything at all—to keep her mind from slipping over the edge where she already teetered precariously.

And so many times she came back to recalling snips and snatches of Bible verses, remembrances of things faceless folks had said to her of a dim time long ago, perhaps fragments of a song heard on a hot Sunday morning as a child, lullabies sung as a mother to children of her own.

Sunday-morning sunlight had always poured like creamy white butter in through the isinglass windows of that tiny church—just the way the sun’s light was magnified as it penetrated the creamy white canvas of this wall tent where she was imprisoned most every day while Usher’s men roamed the deserts and mountains. Horses and men coming and going. Celebrating their bloody work, then taking their leave once again in a new direction.

Here in the tent the air began to hum like a hot summer Sunday at church, listening to the preacher drone on and on. The way Usher droned on and on, ranting before his faithful.

Gritta began to whisper, faintly caressing each bright note belonging to the melody of an old Baptist hymn.

Do not wait until


Some deed of greatness you may do.


Do not wait


To shed your light afar.


To the many duties


Ever near you now he true:


Brighten the corner where you are.


Brighten the corner where you are!


Brighten the corner where you are!


Someone far from harbor


You may guide across the bar.


Brighten the corner where you are!

Her eyes found the corner where the canvas seams came together, bunched to make for a shadowy place. How she longed to be there, where it would be cool. Right where a spider hung in the dark midst of her web. She had hung there, balled up for the better part of two days, likely hibernating after a feast on the moth snared in her sticky trap day before last.

Up there in the shadows, where things looked all the cooler.

They had learned the old songs from her, the three children had. Learned to say grace before their meals. No matter that they might eat nothing but plain food, there was always some meat on the table, along with potatoes and an abundance of other vegetables in season. Always plenty of food for their growing bodies to eat. That is, until Jonah marched off to fight that war he never come back from.

Grace. Thanking God for all His bounty. For what the Lord had seen fit to bless them with.

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

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Чаща
Чаща

Двадцать лет назад ночью из летнего лагеря тайно ушли в лес четверо молодых людей.Вскоре полиция обнаружила в чаще два наспех погребенных тела. Еще двоих — юношу и девушку — так и не нашли ни живыми, ни мертвыми.Детективы сочли преступление делом рук маньяка, которого им удалось поймать и посадить за решетку. Но действительно ли именно он расправился с подростками?Этот вопрос до сих пор мучает прокурора Пола Коупленда, сестрой которого и была та самая бесследно исчезнувшая девушка.И теперь, когда полиция находит труп мужчины, которого удается идентифицировать как пропавшего двадцать лет назад паренька, Пол намерен любой ценой найти ответ на этот вопрос.Возможно, его сестра жива.Но отыскать ее он сумеет, только если раскроет секреты прошлого и поймет, что же все-таки произошло в ту роковую летнюю ночь.

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