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Lizzie fishes up her mother’s phone. Crackling with the energy of Lizzie’s thought-magic, the magic-glass of her memory quilt is a shimmering dazzle. The special Sign of Sure, the tool her dad has used to get himself back and forth from Nows through the Dark Passages, is as iridescent as the Milky Way. But she thinks the fog has to be much closer. Maybe she has to let it inside, allow it to slip into and wear her the way she does the book-people and her dolls. The way her father has invited whatever’s in the Dark Passages.

But he’s done it with blood, by cutting himself, so will this work? Can I grab it hard enough?

She just doesn’t know. Yet this she does understand: everyone wants what they can’t have, same as when Lizzie whines for a second scoop of chocolate ice cream. They especially want what’s hard to get.

So make the whisper-man mad. Make it really work hard, get so greedy-pissed it flies for her like a moth to the hottest flame, so it doesn’t get what Lizzie’s doing until way too late.

I’ll show you. Come on, you big show-off. Let’s play my game. She thumbs the phone to silence. The cell rings again at once. This time, she turns off the power, which she already knows won’t make a dent, and it doesn’t. When the phone begins to chirp again, she pitches the machine into the black mouth of the foot well because there is no way, no way she’s answering again. Let that whisper-man stew. That’ll show him.

“Good girl,” Mom says, misunderstanding. As Lizzie scrambles to buckle in, her mother chokes back another sob. “I’m so sorry, Lizzie.”

“It’s okay, Mom.” She knuckles away tears. “It’s going to catch us, isn’t it?”

“If it really wants us, yes. I don’t think there’s much I can do about that, but it’ll have to work to do it.” Her mother’s foot drops and the car surges with a roar. “Listen to me, Lizzie, this is important. If it wants something … if it needs to bind someone, it can take me. I won’t let it hurt you, honey, but you have to promise me to run, run as far away as you can, and don’t look back, all right? I’ll be …” Her voice wavers, then firms. “I’ll be able to hold it. But you run, promise?”

“I promise,” Lizzie says, already knowing that this is a pinky-swear she will break. Run, and as bad as this is, she thinks things could get to be a hundred million zillion times worse, because there is so much power here, enough to break this Now wide open. So what happens next won’t be up to her mother.

Come on, come and get me. As the woods spin by beyond the car, Lizzie hunkers down into her memory quilt. Behind her, hanging in the air, the symbols for Lizzie’s new Now hum and purple with a weird, mad energy drawn from ideas deep down cellar and from the dark where the strongest—the worst—imaginings live. Just a few more seconds and one more symbol …

Come on, come get me, Lizzie thinks. Get mad and want me, wear me, want me.

EMMA

A Choice Between Red and Blue

1

FROM HER PLACE on the snow-covered farmhouse porch, Emma watched the red wink of taillights disappear into a mouth of darkness that finally closed, swallowing up that creaky old Dodge. God, she didn’t want to let Eric out of her sight. What would happen to him if she weren’t around?

Well, I’m sure to find out. She pressed a finger to an aching temple. Her head killed, probably a combination of concussion and all those blinks, a lot of them. Too many. Ever since waking up in this valley, she’d been zoning out, losing chunks of time. She didn’t think the others had noticed, although Casey—that nasty kid, someone she’d never have imagined related to Eric—kept throwing her speculative looks.

I see the same girl, too, over and over again, in every blink. Kid even has a name, and that’s a first. “Lizzie,” she said, trying it out in her mouth. Saying the little girl’s name made all those blinks feel much more real, not like dreams at all but as if she was a stunt double slotting into a film of Lizzie’s life. Not completely in the kid’s head but close. And everything I see is happening to her right now, at this moment. This last time, the kid had been … running from something? Afraid of her dad; something happened to her father. She thought that was right. Emma just couldn’t quite grab hold of what it was about Lizzie’s dad that was freaking the kid out, although she retained a wisp of an image: Dad doing something really, really scary in front of a very odd mirror.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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