Читаем Venice: Pure City полностью

i3.10 Pietro Longhi, The Perfume Seller, c.1750. Ca’Rezzonico, Museo del Settecento/Alinari/Bridgeman

i3.11 Madonna of Mercy, 16c. Museo Correr/Alinari/Bridgeman

i3.12 Paolo Veneziano, Madonna and Child Enthroned with Two Devout People, 14c. Galleria dell’Accademia/Cameraphoto/Bridgeman

i3.13 Giovanni Battista Cima da Conegliano, The Coronation of the Virgin, late 15c. Santi Giovanni e Paolo, Venice/Cameraphoto/Bridgeman

i3.14 Giorgione (Giorgio da Castelfranco), The Tempest, c.1506–8. Galleria dell’Accademia/Cameraphoto/Bridgeman

i3.15 Giovanni Bellini, Young Woman at Her Toilet, 1515. Kunsthistorisches Museum, Vienna/akg-images/Erich Lessing

i3.16 Titian (Tizian Vecellio), Venus of Urbino (detail), before 1538. Galleria degli Uffizi, Florence/Bridgeman

i4.1 Paolo Veronese, The Marriage Feast at Cana (detail), c. 1562. Musée du Louvre/Giraudon/Bridgeman

i4.2 Gabriele Bella, Concert by the girls of the hospital music societies in the Procuratie, Venice, 18c. Galleria Querini-Stampalia/Bridgeman

i4.3 Francesco Guardi, The Parlour of the San Zaccaria Convent, 18c. Ca’Rezzonico, Museo del Settecento, Venice/Bridgeman

i4.4 Pietro Bianchi, Cross-section of a theatre on the Grand Canal, 1787

i4.5 Alessandro Longhi, Carlo Goldoni, 18c. Casa Goldoni, Venice/Bridgeman

i4.6 Jan van Grevenbroeck, Venetian Noblemen in a Café, 18c. Museo Correr/Bridgeman

i4.7 Giandomenico Tiepolo, Pulcinella with Acrobats, fresco 1793. Ca’Rezzonico, Museo del Settecento/Alinari/Bridgeman

i4.8 Francesco Guardi, Three Masked Figures in Carnival Costume, c.1765. Museo Correr/Bridgeman

i4.9 Canaletto (Giovanni Antonio Canal), Regatta on the Grand Canal, 1735–40. Bowes Museum, Barnard Castle, County Durham/Bridgeman

i4.10 V. Ponga, Masked Ball in Saint Mark’s Square, 19c. Caffe Quadri, Venice/Bridgeman

i4.11 Gabriele Bella, Battle with Sticks on the Ponte Santa Fosca, 18c. Galleria Querini-Stampalia/Giraudon/Bridgeman

i4.12 Gabriele Bella, Game of Bowls in the Campo dei Gesuiti, 18c. Galleria Querini-Stampalia/Bridgeman

i4.13 Sir Claude Francis Barry Bart., RBA, The Bridge of Sighs, etching, c.1930. Private collection/Bridgeman/www.sirfrancisbarry.com

i4.14 Cover of René Jeanne, Casanova, 1927, with photographs from Andre Volkoff 1926 film. Private collection/Archives Charmet/Bridgeman

i4.15 Hugo d’Alesi, travel poster for the Chemin de fer de l’Est, Paris to Venice, 19c. Stapleton Collection/Bridgeman

Part Titles. The vignettes, engraved by Dionisio Moretti, are taken from Antonio Quadri, Il Canal Grande di Venezia (1831)

They voyaged into the remote and secluded waters. They came in flat-bottomed boats, moving over the shallows. They were exiles, far from their own cities or farms, fleeing from the marauding tribes of the North and the East. And they had come to this wild place, a wide and flat lagoon in which fresh water from the rivers on the mainland and salt water from the Adriatic mingled. At low tide there were mud-flats all around, cut through with streams and rivulets and small channels; at high tide there were small islands of silt and marsh-grass. There were shoals covered with reeds and wild grasses, rising just a little way above the waters. There were patches of land that were generally submerged but, at certain low tides, rose above the water. There were desolate marshes that the water only rarely covered. The salt marshes and the shore seemed from a distance to make up the same wide expanse, marked with ponds and islets. There were swamps here, too, as dark and uninviting as the waters that the tide did not reach. A line of islands, made up of sand and river debris, helped to protect the lagoon from the sea; these were covered with pine woods.