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"I didn't know what to make of them. They had the look of the Orient about them but not the Orient with which I was familiar, if you understand me. Africa is of the East but not one with it. They looked no more African than a Chinaman does. This is hard to explain. But I'll say this: Tokyo is Eastern, and Benares is equally so, but Benares symbolizes a different, older phase of the Orient, while Peking represents still another, and older one. These men were of an Orient I had never known; they were part of an East older than Persia—older than Assyria—older than Babylon! I felt it about them like an aura and I shuddered from the gulfs of Time they symbolized. Yet it fascinated me, too. Beneath the Gothic arches of an age-old jungle, speared along by silent Orientals whose type has been forgotten for God knows how many eons, a man can have fantastic thoughts. I almost wondered if these fellows were real, or but the ghosts of warriors dead four thousand years!

"The trees began to thin and the ground sloped upward. At last we came out upon a sort of cliff and saw a sight that made us gasp. We were looking into a big valley surrounded entirely by high, steep cliffs, through which various streams had cut narrow canyons to feed a good-sized lake in the center of the valley. In the center of that lake was an island and on that island was a temple and at the farther end of the lake was a city! No native village of mud and bamboo, either. This seemed to be of stone, yellowish-brown in color.

"The city was walled and consisted of square-built, flat-topped houses, some apparently three or four stories high. All the shores of the lake were in cultivation and the fields were green and flourishing, fed by artificial ditches. They had a system of irrigation that amazed me. But the most astonishing thing was the temple on the island.

"I gasped, gaped and blinked. It was the tower of Babel true to life! Not as tall or as big as I'd imagined it, but some ten tiers high and sullen and massive just like the pictures, with that same intangible impression of evil hovering over it.

"Then as we stood there, from that vast pile of masonry there floated out across the lake that deep resonant booming—close and clear now —and the very cliffs seemed to quiver with the vibrations of that music-laden air. I stole a glance at Conrad; he looked all at sea. He was of that class of scientists who have the universe classified and pigeon-holed and everything in its proper little nook. By Jove! It knocks them in a heap to be confronted with the paradoxical-unexplainable-shouldn't-be more than it does common chaps like you and me, who haven't much preconceived ideas of things in general.

"The soldiers took us down a stairway cut into the solid rock of the cliffs and we went through irrigated fields where shaven-headed men and dark- eyed women paused in their work to stare curiously at us. They took us to a big, iron-braced gate where a small body of soldiers equipped like our captors challenged them, and after a short parley we were escorted into the city. It was much like any other Eastern city—men, women and children going to and fro, arguing, buying and selling. But all in all, it had that same effect of apartness—of vast antiquity. I couldn't classify the architecture any more than I could understand the language. The only thing I could think of as I stared at those squat, square buildings was the huts certain low-caste, mongrel peoples still build in the valley of the Euphrates in Mesopotamia. Those huts might be a degraded evolution from the architecture in that strange African city.

"Our captors took us straight to the largest building in the city, and while we marched along the streets, we discovered that the houses and walls were not of stone after all, but a sort of brick. We were taken into a huge- columned hall before which stood ranks of silent soldiery, and taken before a dais up which led broad steps. Armed warriors stood behind and on either side of a throne, a scribe stood beside it, girls clad in ostrich-plumes lounged on the broad steps, and on the throne sat a grim-eyed devil who alone of all the men of that fantastic city wore his hair long. He was black-bearded, wore a sort of crown and had the haughtiest, cruelest face I ever saw on any man. An Arab sheikh or Turkish shah was a lamb beside him. He reminded me of some artist's conception of Belshazzar or the Pharaohs—a king who was more than a king in his own mind and the eyes of his people—a king who was at once king and high priest and god.