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"These were all—seven against fifteen—yet the slayers died with the slain. What manner of men are these who slay twice their number of Vikings? They are small men—their armor is mean. Yet—"

Another thought struck him. Why did not the strangers scatter and flee, hide themselves in the woods? He believed he knew the answer. There, at the very center of the silent circle, lay a strange thing. A statue it was, of some dark substance and it was in the form of a man. Some five feet long—or high—it was, carved in a semblance of life that made Turlogh start. Half over it lay the corpse of an ancient man, hacked almost beyond human semblance. One lean arm was locked about the figure; the other was outstretched, the hand gripping a flint dagger which was sheathed to the hilt in the breast of a Dane. Turlogh noted the fearful wounds that disfigured all the dark men. They had been hard to kill—they had fought until literally hacked to pieces, and dying, they had dealt death to their slayers. So much Turlogh's eyes showed him. In the dead faces of the dark strangers was a terrible desperation. He noted how their dead hands were still locked in the beards of their foes. One lay beneath the body of a huge Dane, and on this Dane Turlogh could see no wound; until he looked closer and saw the dark man's teeth were sunk, beast-like, into the bull throat of the other.

He bent and dragged the figure from among the bodies. The ancient's arm was locked about it, and he was forced to tear it away with all his strength. It was as if, even in death, the old one clung to his treasure; for Turlogh felt that it was for this image that the small dark men had died. They might have scattered and eluded their foes, but that would have meant giving up their image. They chose to die beside it. Turlogh shook his head; his hatred of the Norse, a heritage of wrongs and outrages, was a burning, living thing, almost an obsession, that at times drove him to the point of insanity. There was, in his fierce heart, no room for mercy; the sight of these Danes, lying dead at his feet, filled him with savage satisfaction. Yet he sensed here, in these silent dead men, a passion stronger than his. Here was some driving impulse deeper than his hate. Aye—and older. These little men seemed very ancient to him, not old as individuals are old, but old as a race is old. Even their corpses exuded an intangible aura of the primeval. And the image—

The Gael bent and grasped it, to lift it. He expected to encounter great weight and was astonished. It was no heavier than if it had been made of light wood. He tapped it, and the sound was solid. At first he thought it was of iron; then he decided it was of stone, but such stone as he had never seen; and he felt that no such stone was to be found in the British Isles or anywhere in the world that he knew. For like the little dead men, it looked old. It was smooth and free from corrosion, as if carved yesterday, but for all that, it was a symbol of antiquity, Turlogh knew. It was the figure of a man who much resembled the small dark men who lay about it. But it differed subtly. Turlogh felt somehow that this was the image of a man who had lived long ago, for surely the unknown sculptor had had a living model. And he had contrived to bring a touch of life into his work. There was the sweep of the shoulders, the depth of the chest, the powerfully molded arms; the strength of the features was evident. The firm jaw, the regular nose, the high forehead, all indicated a powerful intellect, a high courage, an inflexible will. Surely, thought Turlogh, this man was a king—or a god. Yet he wore no crown; his only garment was a sort of loincloth, wrought so cunningly that every wrinkle and fold was carved as in reality.

"This was their god," mused Turlogh, looking about him. "They fled before the Danes—but died for their god at last. Who are these people? Whence come they? Whither were they bound?"

He stood, leaning on his ax, and a strange tide rose in his soul. A sense of mighty abysses of time and space opened before him; of thestrange, endless tides of mankind that drift forever; of the waves of humanity that wax and wane with the waxing and waning of the sea-tides. Life was a door opening upon two black, unknown worlds—and how many races of men with their hopes and fears, their loves and their hates, had passed through that door—on their pilgrimage from the dark to the dark? Turlogh sighed. Deep in his soul stirred the mystic sadness of the Gael.