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The parking lot is glazed with heat around the car, and near the doorway to the store the men are still stuck in the rhombus of tension, moving slightly in a congruence, a sidelong motion, while August crabs his hand behind his back, signaling away. There isn’t really fear inside her; there’s nothing except a bag of air inflating against her rib cage, and her fingers light on the metal horn band that makes a half circle around the steering wheel, unwilling to push — no, it’s not that simple. She conspired with herself to avoid making a sound that would cover the shots, and she knows what she’ll do next, and she does it, backing the car up and then heading off across the parking lot, not too fast, but fast enough, naturally, focusing her eyes straight ahead and trying to picture Hank in her mind, his boyish face in his uniform, the collar tight up against his neck, and his smile, bright and hopeful, as he tells her not to worry, that he’ll be back in the summer and they’ll go to Lake George together just like the war never happened; trying to keep that vision in front of her and her hands steady, she drives onto the main road and heads east, while a wild posse of police cars — old ones with rounded fenders and single dome lights — roars west in a fury of rage and torment.