Читаем The Quiet Game полностью

"When I called Leo Marston a murderer," I say evenly, "I meant it. Together with a brutal and crooked cop named Ray Presley, Leo Marston engineered the death of a young father, army veteran, and civil rights worker named Delano Payton. And contrary to what Mr. Sims suggested-and what the citizens of our town have believed for thirty years-that murder had nothing to do with civil rights. No, Leo Marston had Del Payton killed for profit." I glance back at Livy, but she refuses to look at me. "The same reason he does everything else. And despite what Mr. Sims told you, money is never of secondary importance to Leo Marston.

"Mr. Sims also mentioned the term 'circumstantial evidence' in a rather derogatory tone. After all the television lawyers we've seen, a misconception has grown up that circumstantial evidence is somehow inherently weak. But that is simply not true. Circumstantial evidence is merely indirect evidence. Let's say a woman is shot to death at midnight with a thirty-eight caliber pistol. When the police arrive, they learn from one neighbor that the woman and her husband were in the middle of a messy divorce, and from another that the husband sped away from the house at five past midnight. The next day the police discover that the husband has a thirty-eight revolver registered in his name. Everything I just told you is circumstantial evidence. But I think a pretty clear picture of what happened is emerging in your minds. I'm not saying it's conclusive evidence. I'm saying this is evidence that cannot be ignored."

More nods from the jury, especially from the women.

"Mr. Sims asked what a man's name is worth. I'll tell you." I turn and point at Leo, the man who acted with such shocking dispatch last night. His blue-gray eyes burn with the subzero cold of liquid nitrogen. "After this trial that man's name won't be worth the price of a cup of coffee. He ordered one of the most terrible crimes in the history of this city, and by so doing stained the name of Natchez, Mississippi, for thirty years. And with the help of J. Edgar Hoover, he sabotaged the investigation that followed that crime. The cold-blooded details of this premeditated murder will sicken you, just as they did me. But you must hear them. For the time has come to remove the bloody stain from the name of our fair city. Thank you."

The jury seems a bit flabbergasted by the passion of my indictment, but it's been my experience that juries like passion-to a point. And in my present situation, passion is better than nothing.

When Blake Sims rises to present his case, he does just as he promised: he ignores the question of damage to Leo's reputation. He accomplishes this by a neat reversal, calling three character witnesses whose combined testimony is designed to canonize his client, making the image of Leo Marston as a cold-blooded murderer one that jurors will feel guilty for even entertaining.

The first is Governor Nunn Harkness, a Republican with a two-fisted, shoot-from-the-hip style that has won him two terms despite his methodical gutting of social programs. Playing to the balcony TV cameras, Harkness praises Leo to the skies, lauding his success in bringing industry and gaming to Mississippi, and lamenting that, while Marston is a bit too liberal on issues like affirmative action, he is morally beyond reproach. It's a pitch-perfect performance by a master, and the jury is visibly impressed. When Sims tenders the governor to me for cross-examination, I don't ask a single question. Best to get Nunn Harkness offstage as soon as possible.

Sims's second character witness is Thomas O'Malley, bishop of the Catholic diocese of Jackson. Once the priest of St. Mary Cathedral in Natchez, O'Malley has moved up the hierarchy. For fifteen minutes he waxes poetic about the multitudes of poor children whose Christmases Leo Marston brightened with toys. Then he moves on to the church itself. To hear O'Malley tell it, Leo single-handedly restored the cathedral to its present splendor, donating over half a million dollars to the restoration effort. As the bishop speaks, I am reminded of Michael Corleone being honored by the pope in The Godfather III. I shudder to think what sins O'Malley must have heard Leo confess during his years as a priest in Natchez, but none of that will ever pass the bishop's lips. When Sims tenders O'Malley to me, I let him go without a word. Unless you're dealing with questions of sexual molestation or mismanagement of funds, a Catholic bishop is bulletproof.

Sims's third witness is another matter. As Bishop O'Malley leaves the courtroom, pausing in the aisle to shake the hands of a half dozen former parishioners, Sims calls FBI Director John Portman.