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"You want me to close the window? Is it cold in here for you?"

"No. Take."

"You want me to take you to the window."

"Yes."

"Sure. No problem."

He paused over how and where to touch her. She helped him by lifting her long, thin Giacometti arms and putting her hands around his neck. Apparently she could no longer walk, then. He slipped his right forearm under her upper back, his left under the sinewy stalks of her thighs. He lifted her.

For a moment, she held herself apart from him. It was subtle but palpable. She maintained herself briefly as a dependent but private being. Then she relaxed and gave herself over into his arms. She was, he thought, too weak to do otherwise.

Gently, carefully (he wasn't sure whether or not to believe her when she said she was not in pain or not in much pain), he carried her to the window. The window looked out over the packed dirt of the yard, beyond which stood the single tree under which they had had their dinner the night before. He thought it was an elm. Or an oak. He wasn't programmed for the identification of trees. The tree stood in the precise middle of the view, like a sentry. Beyond it was the vast green flatness of the plain, bright in the early sun, suspended, without wind or cloud, as if all that empty land were waiting for something to begin, for a note to strike or a pair of hands to clap. But most prominently there was the tree, dead center, in full leaf, shimmering in the expectant silence of the morning. Simon wondered how strange this must be to Catareen this green terrestrial silence spread out under this ice-blue sky. Where she came from it was (according to the vids) mostly rock and mud, variously black, pewter, and an opaque silvery-yellow, from which tangles of moss and bracken struggled, black-green like seaweed under an eternally clouded sky that bled a soft, drizzly semilight. It was whatever villages had managed to establish themselves in the rifts and valleys that occurred here and there among the mountains, sheer and ice-tipped, pinnacled, like titanic dead gray cathedrals, vast impassive assertions of volcanic rock and permafrost that towered over the huts and corrals, the modest squares of unprosperous garden, the tiny turrets and steeples of the kings, miniature replicas of the darkly glittering peaks.

Had it been beautiful to her? Had she felt stroth there?

Simon held her before the window that looked out onto the tree. It might have been the tree and only the tree Simon had brought her to see, though of course neither he nor Catareen had thought anything of it, one ordinary tree spreading over a standard-issue patch of dirt. It was only now, at this window, with the dying Catareen in his arms and the tree so perfectly centered in the view, that Simon understood it to be in any way singular or mysterious.

He said, "Urge and urge and urge, always the procreant urge of the world."

"Yes," she answered.

They said nothing further. He held her as she looked out the window. Her face was brighter in the strong light. Her eyes seemed to take on a hint of their familiar depths, their orange and amber. She seemed, briefly, more alive, and it occurred to him that she might be undergoing an unexpected resurgence. Was being taken to the window some sort of healing ritual? It seemed possible. It did not seem impossible.

Then he felt her arms slackening around his neck. He understood that even this was a strain for her. He said softly, "Shall I take you back to bed now?"

"Yes," she answered, and he did.

* * *

The compound pulsed with last-minute preparations. People and Nadians rushed from house to barn and back again. The three Nadian men, who were technicians of some kind, went up and down the ramp of the spaceship, in and out of its entry portal, with such rapidity it seemed they must be doing nothing more than touching an agreed-upon goal and hurrying out again, laughing, emitting odd little yips and yelps, slapping palms whenever they passed one another. Simon, without duties, wandered the grounds. Emory was on the front porch arguing passionately with one of the Nadian women (she was, it seemed, a doctor) and Lily, the tattooed human scientist. The mustached, small-chinned man (whose name was Arnold) seemed to have been charged with the care of Emory and Othea's baby. He walked the infant in circles in the yard, bouncing it and saying, "Little snip, little snip, little snip." In the barn, among the consoles and keyboards, Othea and the other Nadian woman did their best to calm the frumpily majestic Ruth, who sat performing her last-minute calculations through a fit of inexplicable tears as the bells around her neck chimed softly.