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And I wanted to be at least a little proactive, too. If Nice had to start shooting, she’d be firing out the front of the hut, so it made sense for me to be firing at ninety degrees. Basic triangulation. Lots of good reasons. Not that I could see very well. Clearly the bowling club had voted down any kind of exterior illumination. Some of the houses backing on to the space had lit-up rooms, and there was the usual kind of urban glow in the sky, the city itself reflected back off low night-time clouds, all averaged out to smoky yellow, but apart from those two faint sources I was looking at nothing but pitch dark. The back part of my brain told me Bennett was a man of average size, and his centre mass would be thirty-seven inches behind his muzzle flash.

I waited.

I was out in the cold seven more minutes, which when added to the original fifteen made twenty-two, which told me Bennett had indeed quit early and holed up somewhere central to wait on events. I heard his footsteps all the way at the far end of the path, a soft, whispering sound, amplified but also modified by the parallel board fences. Then as he got closer I heard the muted crunch of his soles on the thin scattering of grit, and at one point I heard a brief rat-a-tat scuffle, as if he had swayed on the uneven ground and something in his hand had brushed against the boards. Something leather, I thought, given the sound.

He stepped into the clearing, and stopped. I could see his face, just vaguely, a pale gleam, but I couldn’t see anything else. I couldn’t see his hands.

I waited.

Then he spoke, in his normal sing-song voice, as if we were in a room together and I was six feet away. He said, ‘Reacher? I’m guessing you’re ninety degrees to my left or my right. I have a flashlight with me. I’m not going to shine it on you. I’m going to shine it on myself, and then I’m going to shine it back down the footpath so you can see I came alone.’

I said nothing.

I saw a flashlight beam click on, dancing on the ground, and then it reversed itself in his hand and he played it all over himself, fast, like it was foam and he was on fire. He was in his regular clothes. The thing in his hand was a briefcase. He ended up with the beam high over his head, shining straight down, like a shower rose.

I said, ‘OK, I believe you.’

He glanced my way, inside his cone of light, and then he swung the beam down and picked out his way to the door. I followed him in, and he balanced the flashlight upright on the floor, so the bounce off the ceiling lit us all up. He took a long hard look at Charlie White, and then he turned back to me.

I asked him, ‘What happened to the binoculars?’

He said, ‘I had them removed.’

‘Why?’

‘They weren’t just binoculars. Remember? They were video feeds. Think back through history. Who gets in the least trouble? The guy on the tape, or the guy not on the tape, because there was no tape in the first place?’

‘You were looking out for us?’

‘We’re here to help each other.’

‘Thank you.’

‘I was expecting some action tonight.’

‘You got my information?’

He paused a second, and said, ‘I’ve got information.’

‘But not mine?’

‘I think it’s yours in a way. I think you should own it. A lot of the ideas were yours.’

‘What ideas?’

‘The wrong ideas,’ he said.

He squatted down and popped his briefcase lid, and I saw a photograph inside, black and white, which he picked up and lifted into the light. He offered it to me and Nice equally, like a ceremony, so she took its left edge and I took its right edge, and we held it between us. It was not a regular printed photograph. It had come out of a computer. The paper was thin, and the surface was dull. An e-mailed attachment, maybe, printed out on an office machine.

The picture showed a dead man in what looked like a hospital bed. In what looked like a foreign hospital. The finish on the wall looked different. Somewhere hot, maybe. The kind of place where a hospital could have yellow clay tiles on the floor. The bed was narrow, and made of iron pipe painted white. The sheet was tight and straight, and the blanket was pale and unmarked. High standards from the nursing staff, maybe. Or mugging for the camera. Because the picture was clearly part of an official documentary record. Someone had stood at the foot of the bed and taken a picture for a file. The angle and the framing said so. Like a crime scene photograph. There was a date and a time stamped in. Depending on exactly where in the world it was, it was either very recent, or extremely recent.

The man in the bed had not died easy. That was clear. He had what looked like a bullet wound in his forehead. The skin was all torn up. Not an entry wound. Not an exit wound, either. It was a furrow. Like a glancing blow, that shreds flesh but only cracks bone, instead of piercing it. Maybe an unlucky ricochet.