Читаем Foreigner полностью

Figure that Tabini probably knew everything they’d just said—give or take the computer codes; and don’t bet heavily on that, once the experts got after it. Anything you used, numerically speaking, to get past atevi, you couldn’t go on using.

But peace was in everyone’s interests. Certainly it was in Tabini’s. And in the interest of humans, ship’s crew and planet-bound colonists a long, long way from the homeworld.

He’d told Djinana they might walk on the moon. Lay bets on it, now, he would. Granted Malguri was still standing.

He made an effort to fold up the computer. Jago shut the case for him, and disconnected the cord. After that—the necessity of getting up.

He made it that far. Ended up with Banichi’s arm around him, Banichi standing on one leg. The dowager aiji said something rude about young men falling at her feet, and go sit down, shewas in command of the plane.

“Let me,” Jago said, and got an arm about his middle, which stabilized the aisle considerably.

Banichi limped after them. Sat down beside him.

“Long distance, is it?” Banichi said. “If you go up there, we go, nadi.”

He couldn’t say he understood Jago orBanichi, orTabini.

Couldn’t say they understood him.

Scary thought, Banichi had. But he suddenly saw it as possible, even likely, when negotiations happened, when Mospheira got that lift vehicle, or the ship up there built one in order to deal with them. Atevi were going into space. No question. In his lifetime.

Baji-naji, The lots came down, Fortune and Chance made their pick. You weren’t born with your associates. You found man’chisomewhere, and you entered into something humans didn’t quite fathom with an altogether atevi understanding.

But in the way of such things, maybe atevi hadn’t found the exact words for it, either.



Pronunciation


«^»

A=ah after most sounds; =ay after j; e=eh or =ay; i varies between ee(hh) (nearly a hiss) if final, and ee if not; o=oh and u=oo. Choose what sounds best.

-J is a sound between ch and zh; -ch=tch as in itch; -t should be almost indistinguishable from -d and vice versa. G as in go. -H after a consonant is a palatal (tongue on roof of mouth), as: paidhi=pait’-(h)ee.

The symbol ’ indicates a stop: a’e is thus two separate syllables, ah-ay; but ai is not; ai=English long i; ei=ay.

The word accent falls on the second syllable from the last if the vowel in that syllable is long or is followed by two consonants; third from end if otherwise: Ba’nichi (ch is a single letter in atevi script and does not count as two consonants); Tabi’ni (long by nature)—all words ending in -ini are -i’ni; Brominan’di (-nd=two consonants); mechei’ti (because two vowels sounded as one vowel) count as a long vowel. If confused, do what sounds best: you have a better than fifty percent chance of being right by that method, and the difference between an accented and unaccented syllable should be very slight, anyway.

Also, a foreign accent if at least intelligible can sound quite sexy.

Plurality: There are pluralities more specific than simply singular and more-than-one, such as a set of three, a thing taken by tens, and so on, which are indicated by endings on a word. The imprecise more-than-one is particularly chosen when dealing in diplomacy, speaking to children, or, for whichever reason, to the paidhi. In the non-specific plural, words ending in -a usually go to -i; words ending in -i usually go to -iin. Ateva is, for instance, the singular, atevi the plural, and the adjectival or descriptive form.

Suffixes: -ji indicates intimacy when added to a name or good will when added to a title; -mai or -ma is far more reverential, with the same distinctions.

Terms of respect: nadi (sir/madam) attaches to a statement or request to be sure politeness is understood at all moments; nandi is added to a title to show respect for the dignity of the office. Respectful terms such as nadior the title or personal name with -jishould be inserted at each separate address or request of a person unless there is an established intimacy or unless continued respect is clear within the conversation. Nadior its equivalent should always be injected in any but the mildest objection; otherwise the statement should be taken as, at the least, brusque or abrupt, and possibly insulting. Pronunciation varies between nan’-dee (statement) and nah-dee’? (as the final word in a question.)

There are pronouns that show gender. They are used for nouns which show gender, such as mother, father; or in situations of intimacy. The paidhi is advised to use the genderless pronouns as a general precaution.


Declension of sample noun


Singular

aiji Nominative

aijiia Genitive

aiji Accusative

aijiu Ablative

Non-specific plural

aijiin Nom pl. Subject The aiji

aijiian Gen pl. Possession’s, The aiji’s

aijiin Acc. Pl. Object of action (to/ against) the aiji

aijiiu Abl. Pl. From, origins, specific preposition often omitted: (emanating from, by) the aiji



Glossary


«^

Перейти на страницу:

Похожие книги

Странствия
Странствия

Иегуди Менухин стал гражданином мира еще до своего появления на свет. Родился он в Штатах 22 апреля 1916 года, объездил всю планету, много лет жил в Англии и умер 12 марта 1999 года в Берлине. Между этими двумя датами пролег долгий, удивительный и достойный восхищения жизненный путь великого музыканта и еще более великого человека.В семь лет он потряс публику, блестяще выступив с "Испанской симфонией" Лало в сопровождении симфонического оркестра. К середине века Иегуди Менухин уже прославился как один из главных скрипачей мира. Его карьера отмечена плодотворным сотрудничеством с выдающимися композиторами и музыкантами, такими как Джордже Энеску, Бела Барток, сэр Эдвард Элгар, Пабло Казальс, индийский ситарист Рави Шанкар. В 1965 году Менухин был возведен королевой Елизаветой II в рыцарское достоинство и стал сэром Иегуди, а впоследствии — лордом. Основатель двух знаменитых международных фестивалей — Гштадского в Швейцарии и Батского в Англии, — председатель Международного музыкального совета и посол доброй воли ЮНЕСКО, Менухин стремился доказать, что музыка может служить универсальным языком общения для всех народов и культур.Иегуди Менухин был наделен и незаурядным писательским талантом. "Странствия" — это история исполина современного искусства, и вместе с тем панорама минувшего столетия, увиденная глазами миротворца и неутомимого борца за справедливость.

Иегуди Менухин , Роберт Силверберг , Фернан Мендес Пинто

Биографии и Мемуары / Искусство и Дизайн / Проза / Прочее / Европейская старинная литература / Фантастика / Научная Фантастика / Современная проза