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Better luck than the man who’d dragged him to cover before he died—the man hadn’t thought about it, he supposed; he’d just done, just moved. He supposed it made most difference what a man was primed to do. Call it love. Call it duty. Call it—whatever mecheiti did, when the bombs fell around them and they still followed the mecheit’-aiji.

Man’chi. Didn’t mean duty. That was the translation on the books. But what had made the man grab him with the last thought he had—that was man’chi, too. The compulsion. The drive that held the company together.

They said Ilisidi hadn’t any. That aijiin didn’t. Cosmic loneliness. Absolute freedom. Babs. Ilisidi. Tabini.

I send you a man, ’Sidi-ji

Wasn’t anything Tabini wouldn’t do, wasn’t anything or anyone Tabini wouldn’t spend. Human-wise, he still likedthe bastard.

He still likedBanichi.

If anybody was alive, Banichi was. And Banichi would have done what that man had done with the last breath in him—but Banichi wouldn’t make dying his first choice: the bastards would pay for Banichi’s life, and Jago’s.

Damn well bet they were free. They were Tabini’s, and Tabini wasn’t here to worry about.

Just him.

They’d have found him if they could.

Tears gathered in the corners of his eyes. One ran down and puddled on the side of his nose. One ran down his cheek to drip off into the weeds. Atevi didn’t cry. One more cosmic indignity nature spared the atevi.

But, over all, decent folk, like the old couple with the grandkids, impulses that didn’t add up to love, but they felt something profound that humans couldn’t feel, either. Something maybe he’d come closer to than any paidhi before him had come—

Don’t wait for the atevi to feel love. The paidhi trained himself to bridge the gap. Give up on words. Try feeling man’chi.

Try feeling why Cenedi’d knocked hell out of him for going after Banichi on that shell-riddled road, try feeling what Cenedi had thought, plain as shouting it: identical man’chi, options pre-chosen. The old question, the burning house, what a man would save…

Tabini’s people, with their own man’chi, together, in Ilisidi’s company.

Jago, violate man’chi?

Not Banichi’s partner.

I won’t betray you, Bren-ji

Shut up, nadi Bren.

Believe in Jago, even when you didn’t understand her. Feel the warm feeling, call it whatever you wanted; she was on your side, same as Banichi.

Warm feeling. That was all.

There was early daylight bouncing off the pavings. And someone running. Someone shouting. Bren tried to move—his neck was stiff. He couldn’t move his left arm from under him, and his right arm and his legs and his back were their own kind of misery. He’d slept, didn’t remember picking the position, and he couldn’t damned move.

Hold it!” came from somewhere outside.

He reached out and cautiously flattened the weeds in front of his nose, with the vast shadow of the tank over his head and the wall cramping his ankle and his knee at an angle.

Couldn’t see anything but a succession of buildings along the runway. Modern buildings. He didn’t know how he’d gotten from ruins to here last night. But it was cheap modern, concrete prefab—two buildings, a windsock. Electric power for the landing lights, he guessed; maybe a waiting area or a machine shop. The wall next to the tank above him was modern, he discovered, sinking down again to ease the strain on his back.

Left arm hurt, dammit. Good and stiff. The legs weren’t much better. Couldn’t quite straighten the one and couldn’t, with the one shoulder stiff, conveniently turn over and get more room.

Gunshots. Several.

Someone of their company, still alive out there. He listened to the silence after, trying to tell himself it wasn’t his affair, and wondering who’d be the last caught, the last killed—he couldn’t but think it could well be Banichi or Jago, while he hid, shivering, and knowing there wasn’t a damned thing he could do.

He felt—he didn’t know what. Guilty for hiding. Angry for atevi having to die for him. For other atevi being willing to kill, for mistaken, stupid reasons, and humans doing things that had nothing to do with atevi—in human minds.

Someone shouted—he couldn’t hear what. He wriggled up on the elbow again, used the back of his hand to flatten the weeds on the view he had of the space between his building and the other frontages.

He saw Cenedi, and Ilisidi, the dowager leaning on Cenedi’s arm, limping badly, the two of them under guard of four rough-looking men in leather jackets, a braid with a blue and red ribbon on the one of them with his back to him—

Blue and red. Blue and red. Brominandi’sprovince.

Damn him, he thought, and saw them shove Cenedi against the wall of the building as they jerked Ilisidi by the arm and made her drop her cane. Cenedi came away from the wall bent on stopping them, and they stopped him with a rifle butt.

A second blow, when Cenedi tried to stand up. Cenedi wasn’t a young man.

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Иегуди Менухин стал гражданином мира еще до своего появления на свет. Родился он в Штатах 22 апреля 1916 года, объездил всю планету, много лет жил в Англии и умер 12 марта 1999 года в Берлине. Между этими двумя датами пролег долгий, удивительный и достойный восхищения жизненный путь великого музыканта и еще более великого человека.В семь лет он потряс публику, блестяще выступив с "Испанской симфонией" Лало в сопровождении симфонического оркестра. К середине века Иегуди Менухин уже прославился как один из главных скрипачей мира. Его карьера отмечена плодотворным сотрудничеством с выдающимися композиторами и музыкантами, такими как Джордже Энеску, Бела Барток, сэр Эдвард Элгар, Пабло Казальс, индийский ситарист Рави Шанкар. В 1965 году Менухин был возведен королевой Елизаветой II в рыцарское достоинство и стал сэром Иегуди, а впоследствии — лордом. Основатель двух знаменитых международных фестивалей — Гштадского в Швейцарии и Батского в Англии, — председатель Международного музыкального совета и посол доброй воли ЮНЕСКО, Менухин стремился доказать, что музыка может служить универсальным языком общения для всех народов и культур.Иегуди Менухин был наделен и незаурядным писательским талантом. "Странствия" — это история исполина современного искусства, и вместе с тем панорама минувшего столетия, увиденная глазами миротворца и неутомимого борца за справедливость.

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Биографии и Мемуары / Искусство и Дизайн / Проза / Прочее / Европейская старинная литература / Фантастика / Научная Фантастика / Современная проза