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"It fits," the Baron said. "But I can feel myself tiring of all this. I'm preparing another to take over Arrakis for me."

Hawat studied the fat round face across from him. Slowly the old soldier-spy began to nod his head. "Feyd-Rautha," he said. "So that's the reason for the oppression now. You're very devious yourself, Baron. Perhaps we can incorporate these two schemes. Yes. Your Feyd-Rautha can go to Arrakis as their savior. He can win the populace. Yes."

The Baron smiled. And behind his smile, he asked himself: Now, how does this fit in with Hawat's personal scheming?

And Hawat, seeing that he was dismissed, arose and left the red-walled room. As he walked, he could not put down the disturbing unknowns that cropped into every computation about Arrakis. This new religious leader that Gurney Halleck hinted at from his hiding place among the smugglers, this Muad'Dib.

Perhaps I should not have told the Baron to let this religion flourish where it will, even among the folk of pan and graben , he told himself. But it's well known that repression makes a religion flourish .

And he thought about Halleck's reports on Fremen battle tactics. The tactics smacked of Halleck himself . . . and Idaho . . . and even of Hawat.

Did Idaho survive? he asked himself.

But this was a futile question. He did not yet ask himself if it was possible that Paul had survived. He knew the Baron was convinced that all Atreides were dead. The Bene Gesserit witch had been his weapon, the Baron admitted. And that could only mean an end to all—even to the woman's own son.

What a poisonous hate she must've had for the Atreides , he thought. Something like the hate I hold for this Baron. Will my blow be as final and complete as hers?

There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace —those qualities you find always in that which the true artist captures. You can find it in the turning of the seasons, in the way sand trails along a ridge, in the branch clusters of the creosote bush or the pattern of its leaves. We try to copy these patterns in our lives and our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move toward death.

—from "The Collected Sayings of Muad'Dib" by the Princess Irulan

Paul-Muad'Dib remembered that there had been a meal heavy with spice essence. He clung to this memory because it was an anchor point and he could tell himself from this vantage that his immediate experience must be a dream.

I am a theater of processes , he told himself. I am a prey to the imperfect vision, to the race consciousness and its terrible purpose .

Yet, he could not escape the fear that he had somehow overrun himself, lost his position in time, so that past and future and present mingled without distinction. It was a kind of visual fatigue and it came, he knew, from the constant necessity of holding the prescient future as a kind of memory that was in itself a thing intrinsically of the past.

Chani prepared the meal for me , he told himself.

Yet Chani was deep in the south—in the cold country where the sun was hot—secreted in one of the new sietch strongholds, safe with their son, Leto II.

Or, was that a thing yet to happen?

No, he reassured himself, for Alia-the-Strange-One, his sister, had gone there with his mother and with Chani—a twenty-thumper trip into the south, riding a Reverend Mother's palanquin fixed to the back of a wild maker.

He shied away from thought of riding the giant worms, asking himself: Or is Alia yet to be born?