Читаем Darkside полностью

She turned on a stifled shriek, throwing up her hands to protect her throat.

Nobody there.

She took three lurching sideways steps towards her bedroom door to alert the Marshes that there had been an intruder, and then stopped dead, even though her mind continued to click through scenarios so fast that it felt like one of those flicker-books where a thousand static images make a jerky motion picture.

The print was coming in.

There was no print going out.

If this was the killer, then the killer was still in the house.

Rice looked down at the boxes of junk and selected an ugly blue vase. She weighed it in her hand. She had always been a supporter of the British police remaining un-armed apart from specialized units. She felt that the lack of a firearm enforced the tacit notion of policing by consent, and that – democratically speaking – that was a good thing.

But right now she would give her right arm for a big gun.

Rice walked through the house – quietly, but not quietly enough to scare herself – switching on lights, checking doors and rattling windows. She stood outside the other bedroom doors and listened to the Marshes breathe.

There was no intruder.

There was no smearing of the inward-bound print. Therefore Rice felt it was fair to deduce that whoever had climbed in through this window had not climbed out through it again – and therefore they must be in the house.

Unless the person who had come in through the window had climbed out of it first before they muddied their shoes.

In which case there were only two suspects …

Neither Alan nor Danny Marsh had moved from the sofa today apart from brief visits to the bathroom or to the kitchen for tea.

Was it possible that between her checks last night – between midnight and 6am – one of the Marshes had crept past her bed and climbed out of her window?

Then back in?

Possible.

Improbable, of course, but Sherlock Holmes would base an entire case on improbable.

Her window was at the back of the house and there was a four-foot drop to the lean-to. With the downstairs doors and windows locked, it was the only viable route into or out of the house. It was, after all, the way the killer had entered Margaret Priddy’s home.

The thought of someone in her bedroom while she slept was disturbing enough; the idea that someone might have passed through on their way to and from murdering three people at Sunset Lodge made her feel sick.

She dragged one of the boxes of junk across the room and against the bedroom door. It wouldn’t stop anyone, but it would slow them down.

Then she sat on the bed cross-legged, fully clothed, with the blue vase in one hand and her phone in the other, and called DCI Marvel.

* * *

Jonas got home so late and so weary that when Lucy told him she’d made supper he could have kissed her feet. It was only spaghetti with tomatoes and basil but it tasted fantastic, and she’d put out a bottle of smooth red wine for him to open. She sat and watched him eat.

‘You want to talk about it, sweetheart?’ she said quietly.

He stared across the kitchen in silence.

‘He beat them to death.’

Lucy bit her lip and her eyes filled with tears.

‘Then put pillows over their faces.’

‘Like with Margaret?’

Jonas shook his head but did not drop his sightless thousand-yard stare at the washing machine.

‘I don’t think he meant to smother them.’

‘Why, then?’

‘I don’t know. Maybe so he couldn’t see their faces.’

Lucy hated to ask, but the images in her head begged the question.

‘Did they … was there a struggle?’

‘I don’t think so. They all looked quite … peaceful. I think he hit them while they were asleep. They died quickly. I hope they did.’

Lucy put her hand over Jonas’s and looked down at the knife he’d given her, lying on the table between them. It had seemed a silly thing at first, but since his early-morning call from Sunset Lodge, she’d barely let it go.

She shuddered and her movement made Jonas blink. He focused on the washing machine and remembered it needed emptying. And there was a basket of ironing to do. Work shirts mostly, and a couple of pairs of uniform trousers. And the one or two tops that Lucy couldn’t wear if they were wrinkled. Jonas was bad at ironing and they always tried to buy wisely so he wouldn’t have to do much.

Lucy stroked his hand. ‘Eat, sweetheart.’

Jonas dutifully picked up his fork again.

He noticed that there was new mail propped against the fruit bowl. They’d been without mail for a few days, but now that Marvel’s team and Jonas had been up and down the hill on several occasions, turning snow to slush, apparently Frank Tithecott’s old red Royal Mail van was up to the challenge once more.

‘Tell me about your day,’ he said.

‘You sure you want to hear all that boring crap?’ she said in surprise.

‘That’s exactly what I want to hear,’ he said with feeling.

She got it, so she told him.

Перейти на страницу:

Похожие книги

Исчезновение Стефани Мейлер
Исчезновение Стефани Мейлер

«Исчезновение Стефани Мейлер» — новый роман автора бестселлеров «Правда о деле Гарри Квеберта» и «Книга Балтиморов». Знаменитый молодой швейцарец Жоэль Диккер, лауреат Гран-при Французской академии, Гонкуровской премии лицеистов и Премии женевских писателей, и на этот раз оказался первым в списке лучших. По версии L'Express-RTL /Tite Live его роман с захватывающей детективной интригой занял первое место по читательскому спросу среди всех книг на французском языке, вышедших в 2018 году.В фешенебельном курортном городке Лонг-Айленда бесследно исчезает журналистка, обнаружившая неизвестные подробности жестокого убийства четырех человек, совершенного двадцать лет назад. Двое обаятельных полицейских из уголовного отдела и отчаянная молодая женщина, помощник шефа полиции, пускаются на поиски. Их расследование напоминает безумный квест. У Жоэля Диккера уже шесть миллионов читателей по всему миру. Выход романа «Исчезновение Стефани Мейлер» совпал с выходом телесериала по книге «Правда о деле Гарри Квеберта», снятого Жан-Жаком Анно, создателем фильма «Имя розы».

Жоэль Диккер

Детективы / Триллер / Зарубежные детективы
Наблюдатель
Наблюдатель

В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные на почти 30 языков, стали национальными и международными бестселлерами. В 1999-2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Сочетание глубокого психологизма и мастерски выстроенного детектива-триллера. Пронзительный роман о духовном одиночестве и опасностях, которые оно несет озлобленному и потерянному человеку.Самсона Сигала все вокруг считают неудачником. Да он такой и есть. В свои тридцать лет остался без работы и до сих пор живет в доме со своим братом и его женой… Он странный и замкнутый. И никто не знает, что у Самсона есть настоящее – и тайное – увлечение: следить за своими удачливыми соседями. Он наблюдает за ними на улице, подсматривает в окна их домов, страстно желая стать частью их жизни… Особенно привлекает его красивая и успешная Джиллиан Уорд. Но она в упор не видит Самсона, и тот изливает все свои переживания в электронный дневник. И даже не подозревает, что невестка, которой он мерзок, давно взломала пароль на его компьютере…Когда кто-то убивает мужа Джиллиан, Самсон оказывается главным подозреваемым у полиции, к тому времени уже получившей его дневник. Осознав грозящую опасность, он успевает скрыться. Никто не может ему помочь – за исключением приятеля Джиллиан, бывшего полицейского, который не имеет права участвовать в расследовании. Однако он единственный, кто верит в невиновность Самсона…«Блестящий роман с яркими персонажами». – Sunday Times«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

Шарлотта Линк

Детективы / Триллер